A Quote by Valerie Faris

One of the great things about shooting in Los Angeles is you have access to all these great performers. We love working with ensembles, and that process of getting a great group of people together and setting them in motion.
Los Angeles is such a widespread city, sometimes it's hard to see your friends, and food is a great way to get together - it's a great way of giving love.
We've got the prettiest girls in the world here in Los Angeles and there's a great music scene. And I learned what I learned about cinema here in Los Angeles so it's always been really important to me as a city to live in and I love making movies about it.
I love Los Angeles. I love Seattle, too, which is where we have our home. But the notion of spending a lot of time in Los Angeles has been exciting to me for years. The community down there is great.
Not only do you need great lyrics, a great message, a great story, great vocals, great chords... you also need great instrumentation, great editing, great sonics, great mixing, and great mastering. It all comes together to make something truly great, and I think each element combines together to create a powerful impact on the consumer.
That's one of the great things about Los Angeles, that people just play music, and it's all very welcoming and welcomed.
My commitment is to Los Angeles, so whatever helps this continue to be a great city, that's what I would be focused to do, and the Dodgers are certainly iconic to Los Angeles.
It's wonderful. It's amazing. I mean we have such a great music scene and art scene and there's just a great group of young people, you know, temping their way through their 20's doing other amazing things. And I've been in...I spent like 10 years working here without ever having been shooting in Toronto. And it's so frustrating because it's a great city. And I remember seeing Montreal actually used as Montreal in that Ed Norton-Robert DeNiro.
Los Angeles has been great to me, and I have a home there, and I'm so lucky I get to do what I do for a living. But I did not go down to Los Angeles really even with the intention of staying.
I would just like to say this about all the married people working together on the set: it was just a joy. That is the great joy to go to work with people that you love, whether they be people that you are in love with or people that you just love and be creative and artistic and make things that you want to send out into the world and make people feel good. It was a great environment to work in for me.
I had great teachers, great ensembles, and great companies to work with who supported my career.
I started working at a soup kitchen in skid row of Los Angeles when I was 13 years old, and the first day, I felt really scared. I was young, and it was rough and raw down there, and though I was with a great volunteer group, I just felt overwhelmed.
No great television show has ever rested on just one person. They're all about great ensembles and storytelling.
I always love working with young actors, because there's always something to learn. It's always exciting to see the next generation and how they approach things and what's great about them and what's not so great about them.
If you can't do great things, Mother Teresa used to say, do little things with great love. If you can't do them with great love, do them with a little love. If you can't do them with a little love, do them anyway. Love grows when people serve.
With 'Greenberg,' I wanted to make a movie about Los Angeles... my great love for it and also the way that I felt not at home and alienated there.
I look forward to working with the White House in areas like infrastructure, where President Trump says he wants to spend a trillion dollars. Great - we'd love to start right here in Los Angeles.
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