A Quote by Van Morrison
I have to accept the fact that I was putting out records that reviewers were going to get an image from.
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Under true peer-review...a panel of reviewers must accept a study before it can be published in a scientific journal. If the reviewers have objections the author must answer them or change the article to take reviewers' objections into account. Under the IPCC review process, the authors are at liberty to ignore criticisms.
More recently I've come to terms with what I'm doing and why I'm doing it. That's why you start to see me recoiling from 'let's put out radio records, let's get rich and get on out of here.' I have gone towards more speaking to kids and putting out records that I like.
Blackheart Records being 25 years old represents staying power and the fact that we weren't able to get a record out through conventional means, so we had to create this record company to put out our records if we wanted to be a band that had records to give out to their fans.
When I was a kid and putting out my first records, there was a lot made out of the fact that the '50s/'60s generation was so dominant.
Early on I was just a kid in a cowboy hat with a bunch of other guys in a room that were putting out some records. Now thank God, in the past 3 or 4 years, when.. it's really hard to burn an image of a face with a song these days. I think that the songs like 'Don't Happen Twice' and 'Young' were songs that helped me do that and I think that 'I Go Back'(did) that even more.
I feel like I'd like to continue putting out records and start putting them out more rapidly than I have until now and for me if I can keep selling the records to the fans that already like me that's fine.
I was the last one of nine kids - eight girls and me last - and my sisters were going out. They were teenagers. And as they were getting ready, I would sit on the bathtub and watch them put on makeup and transform themselves - you know, putting on clothes and giggling about the boys they were going to meet and everything. So for me, that was an amazing thing - the fact of transforming themselves.
You have to remember when we were going once a month, we were putting out issues that were 480 pages, and people were complaining that these were too big, I can't get through a 480 page magazine every month.
My problem is I don't have this incredible, hip image. I'm not some flamboyant or gorgeous-looking guy who's going to sell records based on his image.
My whole team, it wasn't about putting the album out, it was about getting off the record company and going independent or going to another label. To the point we were like, 'Listen, just take 'Lasers.' You can have whatever percentage off the next ten records I do for the rest of my life. I just do not want to be here anymore.'
The fact that we're at a point today where anybody, anywhere can put a comic book together and get it in front of the entire planet without spending a dime on printing and distribution - that's the good thing, and I think that's what's going to save [the comics industry]. These young people who have nothing to do with the industry we're in, just going out there and doing their own work and putting it out there, letting people respond to it.
It takes a lot of guts to come out to your friends and family. For most gay people, coming out is the most traumatic experience in their life because of the worry about the backlash: 'What's going to happen? Are my parents going to accept me? Are my friends going to accept me? Are my sisters and brothers going to accept me?'
I was 16 years old, and I was just flailing around, looking for an interest. I heard, you know, these jazz records. They were modern records, at the time in the '50s, and I realized that I didn't fully get what was going on. But I liked a lot of what I heard.
I've made classic records, and going into making 'R.A.P. Music,' I was determined to top the entire legacy of the 'Pledge' series, and the fact that I won a Grammy, and the fact that I was associated with OutKast, and the fact that I'm a Dungeon Family member.
I'm a fan of records you get and you listen to them from beginning to finish - records where everything is there for a purpose. There was never any filler on those records - it was all well planned out.
I have a feeling a lot of the records I grew up listening to and the records I still like, as hard as musicians worked making them, I feel like they were really enjoying what they were going through. They weren't just going through the process. You can tell that with certain things that you listen to.
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