A Quote by Vanessa L Ochs

I always found myself more drawn to each religious milieu than I would have anticipated, but in time, a ghoulish threat of being absorbed in alien territory always sent me retreating to the blander and safer ground of home.
Cannot swords be turned to plowshares? Can we and all nations not live in peace? In our obsession with antagonisms of the moment, we often forget how much unites all the members of humanity. Perhaps we need some outside, universal threat to make us recognize this common bond. I occasionally think how quickly our differences worldwide would vanish if we were facing an alien threat from outside this world. And yet, I ask you, is not an alien force already among us? What could be more alien to the universal aspirations of our peoples than war and the threat of war?
If you are forced to confront your fears on a daily basis, they disintegrate, like illusions when viewed up close. Maybe being always protected made me more fearful, and I would later dip cautiously into the outside world, never allowing myself to be submerged completely, and always jerking back into the familiarity of my own life when my senses were overwhelmed. For years I would stand with a foot in each sphere, drawn to the exotic universe that lay on the other side of the portal, wrenched back by the warnings that sounded like alarm bells in my mind.
The idea of being given things that you don't necessarily deserve was always a difficult one for me to negotiate, and so I really always felt that I had to prove myself. Being the daughter of a famous man I guess is more easy than being the daughter of a famous woman, but at the same time there was a sense of really, with me, of wanting to earn my own way.
I always thought, I can't waste time, I have to do work. I also thought that I was slower than other people, that I had to concentrate more. I always thought, I'm not brilliant, I have to work. That was something I embedded in myself very early: I have to go home and write. But did I get any more work done than people like Frank O'Hara, who were always going to parties? Probably not.
I always wanted to have a career that would keep me at home in New York so I can work in the theater all the time and be involved in the creative process from the ground up.
I love being married more than anyone. It's what I always wanted. I found the person who's perfect for me, and we have a great time and a great partnership.
I always knew from that moment, from the time I found myself at home in that little segregated library in the South, all the way up until I walked up the steps of the New York City library, I always felt, in any town, if I can get to a library, I'll be OK. It really helped me as a child, and that never left me.
I've always been more drawn to being normal than being famous.
I'm drawn in some strangely natural way to immersing myself in a milieu whose rules I don't understand, where there are things you can't access simply by being intelligent or doing well in school.
I do find that I'm drawn to people in my life, romantically or not, that have something to teach me. I'm drawn to people who I feel like I can learn from. I'm not really drawn to toxic people - I don't find myself discovering that someone in my life is toxic very often. But there is some sense of being changed by each person that I think I'm drawn to.
My interest, perhaps, came out of the trauma of being a young immigrant in this country and constantly feeling my "resident alien" status. I remember trying to learn English on kindergarten playgrounds. I tried hard to be a convincing American but it was a losing battle. I was labeled weird and that tag never left me - all through high school, I was always the oddball. It was not always an easy path - I just had to tell myself that one day, being on the periphery would become an asset (and I think it finally has, as a creative adult).
There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.
I'm always made a little uncomfortable by studies that assert that Millennials are the most narcissistic generation in history. To me, being young has always meant being self-absorbed; in many ways, that's what youth is for.
When we get together and rehearse, which is always living with each other, we always talk about what would make it better, what would mean more, what would say more. So we're always improving and growing.
Big Brother isn't watching. He's singing and dancing. He's pulling rabbits out of a hat. Big Brother's busy holding your attention every moment you're awake. He's making sure you're always distracted. He's making sure you're fully absorbed. He's making sure your imagination withers. Until it's as useful as your appendix. He's making sure your attention is always filled. And this being fed, it's worse than being watched. With the world always filling you, no one has to worry about what's in your mind. With everyone's imagination atrophied, no one will ever be a threat to the world.
I always knew from that moment, from the time I found myself at home in that little segregated library in the South, all the way up until I walked up the steps of the New York City library, I always felt, in any town, if I can get to a library, I'll be okay. It really helped me as a child, and that never left me. So I have a special place for every library, in my heart of hearts.
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