A Quote by Vanilla Ice

Rap is from the streets and I'm from the streets. That's why a lot of people accept me. — © Vanilla Ice
Rap is from the streets and I'm from the streets. That's why a lot of people accept me.
My childhood is streets upon streets upon streets upon streets. Streets to define you and streets to confine you, with no sign of motorway, freeway or highway.
I feel like a lot of niggas in the rap game ain't do what I did in these streets and a lot of niggas in the streets ain't do what I did in the rap game. I still feel like a lot of people don't feel where we come from.
I think that hip-hop is more of an individual effort. That means you're an artist from the streets, they expect you to rap about the streets, because that's what happens there.
If it falls your lot to be a street sweeper, sweep streets as Raphael painted pictures, sweep streets as Michelangelo carved marble, sweep streets as Beethoven composed music, or Shakespeare wrote poetry.
My mom and dad are from the streets. My mom's from Chicago. My dad's from Memphis. My dad got out of school and got with my mom. They were hustlers. They were from the streets. They were doing their thing. The streets ain't got no love for the streets. You can light up the streets, or be a victim of the streets.
Almost every football player played on the streets. And also, a lot of people not ending up as football players play on the streets. It's the beginning of a lot of social gathering.
I wasn't from the streets, but I was in the streets. I had a good family, nice home - you know, I can't say I grew up with nothing... but I chose to hang in the streets.
One of the things that sells music is when the artist is looked at as someone who's come up from the streets. Not just any streets, but the toughest, meanest streets of the urban ghetto. And that's called 'street credibility.'
One of the things that sells music is when the artist is looked at as someone who's come up from the streets. Not just any streets, but the toughest, meanest streets of the urban ghetto. And that's called 'street credibility'.
I came from nothing. My mother was a single mother in the streets. She did everything she could do. Me and my brother experienced a lot on our own and with me knowing that feeling, I didn't want others to have that feeling, so that's why I fight for the streets. I'm making my own lane and staying true to myself, 'cause at the end of the day, you can't ban the truth.
I wasn't sleeping on the streets at night. Of course, there were a lot of good people sleeping in the streets. They weren't fools, they just didn't fit into the needed machinery of the moment. And those needs kept altering.
I think when people say 'real hip-hop,' they want it more buried in the streets. They want it more connected to the streets and the grime and the roughness of the streets. They don't want the fluff.
I don't think about returning to the streets, 'cause I don't have any plans to return to the streets. I'm at another level in my life. Returning to the street - I still be in my streets when I get time to, when it's necessary.
It was a proud moment in giving me the confidence, that I was 'stamped' in the offices as much, you know, as I would get from the streets. To where it's like I'm getting the love from the streets and from the people in the building - and that's kinda dope.
I let the streets talk to me. The streets speak to you - how you find out what's new, what people are wearing, what people aren't wearing.
Buckley and Vidal were both stand-ins for what was happening on the streets of Chicago and the streets of America. I mean, they're representing these two different camps that are at war in the streets. And they're at war with their words. And each was looking for a knockout.
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