A Quote by Vera Lynn
In 1939, a newspaper ran a competition for the first load of boys off to war to pick their favourite singer. They chose me from my radio broadcasts. That's when I became known as the 'forces' sweetheart.'
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I wrote my first short story for a competition and won second prize. Another competition came up and I won first prize. The first story was published in a newspaper. The second went out on radio.
I don't like it when people ask me what my favourite Beatles song is. I always get that. First of all, I don't like having to pick a favourite thing anyway. You can't pick a favourite Beatles song! What about "Strawberry Fields"? What about "Lucy In The Sky With Diamonds"? What about "Tomorrow Never Knows"? Come on. That question is small minded to think you could even have a favourite Beatles song.
I remember a nightfall from childhood, far from home and off the known track: I'd been walking with some older boys, but they ran off and left me, and as darkness hurried in, I suddenly realised how far from home I was.
No, I chose the name Jane Seymour because I was doing my first film, 'Ode to Lovely War,' and one of the top agents in England spotted me dancing in the chorus. I was a singer and dancer in that movie with Maggie Smith, um, and he told me he couldn't sell me as Joyce Penelope Wilhelmina Frankenberg.
No, I chose the name Jane Seymour because I was doing my first film, 'Oh! What a Lovely War,' and one of the top agents in England spotted me dancing in the chorus. I was a singer and dancer in that movie with Maggie Smith, um, and he told me he couldn't sell me as Joyce Penelope Willomena Frankenburger.
In January of 1995, my family and I moved to Seattle. Pearl Jam did the first of their live radio broadcasts, Monkey Wrench Radio, along with many other Seattle musicians.
I booked my first studio at like 12 or 13. Somewhere in that season of my life, singing along with the radio became me wanting to be on radio, you know. And writing Langston Hughes replica poems became me wanting to write like Stevie Wonder.
I booked my first studio at like 12 or 13. Somewhere in that season of my life, singing along with the radio became me wanting to be on radio, you know.
Recently I've been participating in radio and television talk programs doing broadcasts and conferences, and shooting my mouth off and really going to town.
There is scarcely a town or school in Russia from which boys have not run away to the war. Hundreds of girls have gone off in boys' clothes and tried to pass themselves off as boys and enlist as volunteers, and several have got through, since the medical examination is only a negligible formality required in one place, forgotten in another.
My father was a little frightening - a huge man, six foot four - and he looked like God. He was always a visitor, as far as I was concerned, because my parents separated when I was nine. We only became friends when he was old and began to shrink. During the war, he was a BBC war correspondent and did some extraordinary broadcasts.
Everything I chose, I had already played in concert. For the competition, I wanted to pick pieces I know that people like.
Once upon a time, gatekeepers were newspaper publishers and magazine editors and people who ran radio stations and news networks. And they decided what went above the fold and what went on page A10.
My favourite book as a child was an old 'Newne's Children's Encyclopaedia' which my grandfather had bought just before World War II and donated to our family after seeing how interested we were in it. Each volume had special chapters called 'Things Boys can Do.' My brothers and I would pick out interesting projects.
Today we know that World War II began not in 1939 or 1941 but in the 1920's and 1930's when those who should have known better persuaded themselves that they were not their brother's keeper.
Growing up, there was only classical music on BBC Radio. We had to listen to the American Forces Network in Germany, which played pop songs, or the pirate radio boats off the coast.
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