A Quote by Veronica Roth

Can you be a girl for a few seconds?" "I'm always a girl" I frown. "You know what I mean. Like a silly, annoying girl" I twirl my hair around my finger. "Kay. — © Veronica Roth
Can you be a girl for a few seconds?" "I'm always a girl" I frown. "You know what I mean. Like a silly, annoying girl" I twirl my hair around my finger. "Kay.
When I came up with the Alexa Bliss character, I wanted to be the girl that everyone knew. There was always that girl in high school who was mean to everybody. She was mean and rude, but everyone still voted for her to be homecoming queen. That girl. And I wanted to portray that girl.
I've always been down to try out new things, but I was more of a jeans girl at age 17. I didn't want to show my legs. Now, I'm a dress-shirt girl, a shorts girl, a jeans girl, an overalls girl - I'll wear anything!
You are hearing this song, and you're 16, and it's a song about love, or a girl. And then maybe there's a girl at school that you like. So you're going to be thinking about that girl. That song is sort of about that girl. The songwriter doesn't know that girl, obviously. He wrote it for something else. But there's the specific meaning with the universal again.
I mean, like most guys, you carry around this girl in your head, who is exactly who you want her to be. The person you think you will love the most. And every girl you are with gets measured against this girl in your head.
I always get cast as the girl who's dying or the girl who's killing or the girl who's suicidal - all these heavy roles. But I like playing them.
I've always been a girl's girl, and I've always enjoyed my girl friends' relationships, so I want the girls who follow me to feel like we're besties.
I'd had a relationship with a French girl, a Japanese girl, an American girl, a Filippina and she was there all the time - a Lancashire girl. I thought: 'It's a Lancashire girl I was looking for. Why didn't I realize it?
I'd had a relationship with a French girl, a Japanese girl, an American girl, a Filippina and she was there all the time - a Lancashire girl. I thought: 'It's a Lancashire girl I was looking for. Why didn't I realize it?'
I pictured a girl who made every moment, everything she touched, and everyone around her feel lighter and sweeter. “I pictured you,” he said. “I just didn’t know what you looked like. “And then, when I did know what you looked like, you looked like the girl who was all those things. You looked like the girl I loved.
What do I like in a girl? I like a girl that likes me, a girl that knows how to smile and see the bright side of things. A girl that makes me a better person.
I told my mom, 'I'm not buying another magazine until I can get past this thought of looking like the girl on the cover'. She said, "Miley, you are the girl on the cover,' and I was, like, 'I know, but I don't feel like that girl every day.' You can't always feel perfect.
Deep down inside, I'm really a black girl stuck in a Mexican girl's body. But I'm also in touch with my inner white girl and my inner Asian girl. I feel like a little bit of everybody.
I may not be the conventional girl, but that doesn't mean I'm not a pretty girl. Or that any girl isn't a pretty girl.
I'm the character actor in Hollywood movies, the girl who has to be annoying so the guy can go to the other girl.
'The Marriage of Souls', like 'The Rationalist', is an exploration of humanist philosophy wrapped between the delicate leaves of an eighteenth-century tale. The story of the two novels - and they should be read as a two-volume work - centres around the old war-horse of boy meets girl, boy loses girl, boy finds girl. But what a boy and what a girl.
People don't connect the girl that sang 'Mickey' with the girl who was one of the seven original Lockers or the same girl who was in 'Easy Rider' or the same girl who choreographed David Bowie, Tina Turner, and Bette Midler tours. It's like I've led five lives.
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