A Quote by Veronica Vasicka

Being the recent accessibility of rare vinyl and cassette music via blogs, as well as the digital backlash which is driving more people to crave the tangible - most of these minimal wave releases are hand-numbered vinyl editions, which adds another level to the listening experience. They can listen to an LP and it's there for them to look at, examine its cover art, and hold whilst buying and downloading music in digital form remains such an ephemeral experience.
A lot of people that buy vinyl today don’t realise that they’re listening to CD masters on vinyl and that’s because the record companies have figured out that people want vinyl, And they're only making CD masters in digital, so all the new products that come out on vinyl are actually CDs on vinyl, which is really nothing but a fashion statement.
Vinyl is great, I made a lot of vinyl, but I don't want new vinyl that's from digital sources, because that's a rip off.
Coming from the era of vinyl you could argue that everything went wrong in the music business the moment we went digital. The day the first CD came out, it all went downhill in the music industry. Digital destroyed everything.
I love vinyl, but I'm not a 'vinyl person'. I still collect, but most of my stuff is digital.
I grew up with vinyl records and remember the pleasure and the kind of buzz that I got from buying a beautiful vinyl record with the sleeve and the lyrics - all that kind of tactile experience that you could get from an old vinyl record.
The history of the music industry is inevitably also the story of the development of technology. From the player piano to the vinyl disc, from reel-to-reel tape to the cassette, from the CD to the digital download, these formats and devices changed not only the way music was consumed, but the very way artists created it.
The history of the music industry is inevitably also the story of the development of technology. From the player piano to the vinyl disc, from reel-to-reel tape to the cassette, from the CD to the digital download, these formats and devices changed not only the way music was consumed, but the very way artists created it.
I inherited this collection of vinyl records, which at that time numbered 6,000, and I've since continued to collect music. As you know, vinyl records can be very heavy, so every time I have to move into a new house, I need to build a complete new wall of shelves to put all these records, which is a nightmare for the architect.
The main difference between listening to music on a computer and listening to music on vinyl or disc is not sound quality or even portability; it's that when you listen to music on a computer, you listen to music on the same instrument you use to acquire it.
For me, a record is valid when I actually hold the vinyl. Like, I've worked on the art for a while and I see the vinyl and I go "Ooh, it's an actual LP. How cool is that?" That's very sacred to me. You can't take that back, you know?
Oftentimes, when people cut a record from analog tape to vinyl, they digitize the music first; I did a little investigating and discovered that most vinyl records that I've ever heard were digitized before they were put onto vinyl.
I started buying vinyl records when I got into punk music because, in the punk scene in New Jersey, vinyl was more like a necessity than a luxury.
Vinyl's like a really juicy steak compared to like a kind of tough steak or something. It's really good. And once you listen to vinyl and get a chance to hear it, I think anyone will enjoy it more than they will digital.
I've always been a fan of vinyl. There's something about the ritual of it. Something about it holds its gravity, for some reason. Sometimes you'll put on music and the music fades into the background. But when you take that vinyl out and put it down, the music becomes the conversation as opposed to being the soundtrack to it.
Digital might capture the dynamics of what I heard before it went to tape a bit more accurately, but on the other hand, when we'd switch from listening to the digital version to the analog, the change was so profound - the music would suddenly go three-dimensional, and it felt much more engaging.
Immersing yourself in the environment of a real record store where music is celebrated and cherished adds real value to the experience of buying music. In some ways, that retail experience is as important as the music.
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