A Quote by Veronica Vasicka

It's a very satisfying feeling for everyone involved into giving bands a new life - for me, the artists, and the audience. — © Veronica Vasicka
It's a very satisfying feeling for everyone involved into giving bands a new life - for me, the artists, and the audience.
A lot of bands are still just bands that artists ask to get involved, but a lot of artists are using sound they create. This is different from referencing music.
The theatre for me is much more satisfying as an actor because you are working in front of a living, breathing, throbbing, gasping, laughing and hopefully applauding audience. And the immediate connection you get with that audience is very satisfying.
I have no problem with bands using participant financing schemes like Kickstarter and such. I've said many times that I think they're part of the new way bands and their audience interact and they can be a fantastic resource, enabling bands to do things essentially in cooperation with their audience. It's pretty amazing, actually.
Scam' gave me a national or I would say global platform which made me a household name. I am getting such a lot of love, appreciation, and acceptance from the audience and makers and that's a very satisfying feeling.
Finding the fine line between satisfying a daytime TV audience and an afternoon radio audience. That involved editing down my delivery to under an hour. I've been blessed to have great producers and a great staff to achieve that. I have a small team but they're very efficient.
My thing with New York was that it felt so insular. When I went to L.A., everybody I knew was a cool, amazing musician. In New York, they'd be hunkered down trying to form a band. But in L.A., guys in bands were also playing with other artists, touring with other artists, and collaborating with other artists.
I had found a kind of serenity, a new maturity. I didn't feel better or stronger than anyone else but it seemed no longer important whether everyone loved me or not - more important now was for me to love them. Feeling that way turns your whole life around; living becomes the act of giving.
I have a lot of compact discs. I need them for radio play and convenience. Many bands and artists I am a fan of don't always release their work on vinyl, so I take what they feel like giving me.
Artists are always looking for new things and fresh ground and fresh air. If it feels new to me, there's a chance it'll feel new to the audience and we'll have found something.
Teaching is enormously satisfying because I'm constantly learning more. Just constantly being exposed to new voices and new life experiences and new worldviews and new structural dilemmas and new characters - it's really exciting for me.
But I think whenever you're bringing in a new Doctor, you have to set it up in a really great way because it's an entry point for a whole audience. Because the audience of 'Doctor Who' is everyone from eight to 108, life is continually creating new viewers.
It is not the job of artists to give the audience what the audience want. If the audience knew what they needed, then they wouldn’t be the audience. They would be the artist. It is the job of artists to give the audience what they need
The difference when I'm writing a story versus writing a joke is that writing a joke is so much more about the structure and it's less about the conversation. To me, the thing that I love about stand-up is the intimacy between performer and audience.To get it even more conversational was something that really appealed to me and that I really enjoyed doing. My early experiments with it, with just telling a story from my life on stage, it was so satisfying to do. And seemingly for the audience as well. It's a different thing, and it's a different feeling and a different vibe.
Not everyone is going to love you. Not everyone is going to like what you do, and you see a lot of people don't want to let go of the bands that they love. They don't want to move forward. They don't want to let new things come in; they're scared of change. They're scared of new bands taking over their genre. They're just scared of change.
What's funny is that all the artists I've collaborated with, I get this feeling that they want me to win. They're always asking my opinion, always giving me advice.
A sitcom is the closest thing for me to doing stage because you work in front of an audience, and if it's well written it can be very satisfying.
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