A Quote by Vetrimaaran
Actually, after three years, I realised that the opening scenes of 'Polladhavan' were inspired by 'Lolita,' in which the lead character says, 'Why did I meet her? My life would have been different had I not met her.'
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To him she seemed so beautiful, so seductive, so different from ordinary people, that he could not understand why no one was as disturbed as he by the clicking of her heels on the paving stones, why no one else's heart was wild with the breeze stirred by the sighs of her veils, why everyone did not go mad with the movements of her braid, the flight of her hands, the gold of her laughter. He had not missed a single one of her gestures, not one of the indications of her character, but he did not dare approach her for fear of destroying the spell.
People inspire me. Every day, I meet amazing individuals in the field. When I see a mother who has walked for three weeks to come to a MSF clinic, with two kids on her back and her belongings on her head, facing intimidation and physical abuse on her way, I am inspired by her resilience - her desire for life.
So they've actually - it's not that her character is a singer, but she had ambition to do that at an earlier time in her life. So I've actually sung two or three times now on the show.
Long after her death I felt her thoughts floating through mine. Long before we met we had had the same dreams. We compared notes. We found strange affinities. The same June of the same year (1919) a stray canary had fluttered into her house and mine, in two widely separated countries. Oh, Lolita, had you love me thus!
Occasionally, on screen, Barbara [Stanwyck] had a wary, watchful quality about her that I've noticed in other people who had bad childhoods; they tend to keep an eye on life because they don't think it can be trusted. After her mother was killed by a streetcar, she had been raised in Brooklyn by her sisters, and from things she said, I believe she had been abused as a child. She had lived an entirely different life than mine, that's for sure, which is one reason I found her so fascinating. I think her early life was one reason she had such authenticity as an actress, and as a person.
... there had been the two little boys. Now they were gone, too. They loved her and called her and sent her e-mails and would still snuggle up to her to be petted when they were in the mood, but they were men, and though they would always be at the center of her life, she was no longer at the center of theirs.
She did not believe that things could remain the same in different places, and since the portion of her life that lay behind her had been bad, no doubt that which remained to be lived would be better.
Her parents wanted her to find her own way in life. That’s what they’d said countless times in the past. Of course, they’d been referring to school subjects and college applications and job prospects. Presumably, at no stage did they factor living skeletons and magic underworlds into their considerations. If they had, their advice would probably have been very different.
The girl was lighter without her heart. She danced barefoot on the hot roads, and her feet were not cut by the glass or stones that studded her way. She spoke to the dead whenever they visited her. She tried to be kind, but they realised that they no longer had anything in common with her, and she realised it, too. So they went their separate ways.
I was amazed by this person who, even though she had everything, would go to feed the homeless and visit sick children and Aids victims. It was like a fairy tale. Who was she really? Why did she do this? She was trying to find love. I wanted the world to see her kindness, her humility: I think she realised that would be her way.
I bought Jayne Mansfield's mansion in L.A. after her death. I had met her in England and remembered her perfume. When I moved in, I could smell her, and I saw her apparition.
What's weird is when you meet a girl who is 23 and you are talking to her, even her voice is high-pitched, she's young. You ask her how old she is, she says, 'Twenty-three, how old are you?' and when I tell her I'm 41 it's like I've just told her I have cancer. It's, 'Oh my God, how long have you had that?'
The casting director on the movie made me aware of her. She told me what to watch Starter For Ten, which I did and thought she was great in. She was just so charming and beautiful. But I felt she could probably look plain if we tried. And when I subsequently met with her, I was so charmed by her vulnerability and sweetness. Those were two qualities that were the most important for that character.
Everything he'd done with regard to her in the last three years had been calculated to foreclose the intensely personal sort of talks they'd had when he was younger: to get her to shut up, to train her to contain herself, to make her stop pestering him with her overfull heart and her uncensored self. And now that the training was complete and she was obediently trivial with him, he felt bereft of her and wanted to undo it.
I met Madonna when I was 22, and I danced with her until I was 28. When I met her, I was a tomboy! Every time I see her, she really inspired me about one thing or another, so she's quite important and significant person in my life.
As she had been walking from the ward to that room, she had felt such pure hatred that now she had no more rancor left in her heart. She had finally allowed her negative feelings to surface, feelings that had been repressed for years in her soul. She had actually FELT them, and they were no longer necessary, they could leave.
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