A Quote by Vetrimaaran

For me, every film is a learning process. After each, I take time to unlearn. — © Vetrimaaran
For me, every film is a learning process. After each, I take time to unlearn.
Education is necessary to unlearn privilege, unlearn exclusion, unlearn discrimination, unlearn prejudice, unlearn war.
In every character I play, I try to imbibe something. Every film is a learning process for me.
Growth is a sub-conscious activity, and I learnt a lot in this course, and I'm always open to learning and grasping new things from people. I'm learning with every film, and my confidence levels and technique is also getting better with each film.
When negotiations are at an impasse, when States dig their heels in, it is time to 'undig' them in a spirit of compromise. We all need to unlearn the predator in us, unlearn discrimination, unlearn privilege.
You evolve with each and every film you do. In every film that I did, I learnt something or the other, and I am constantly learning and hopefully becoming better.
The minute we stop learning, we begin death, the process of dying. We learn from each other with every action we perform. We are teaching goodness or evil every time we step out of the house and into the street.
The post area I had to unlearn. And yeah, now it's a relearning process. It's different. It's learning what works and what doesn't work.
In Korea is what I do is I watch the playback of each take with all of the actors and spend a lot of time discussing each take. Also, I use the process we call auto-assembly because I storyboard my entire film right at the beginning, even before pre-production ever begins, so my vision is already laid out on the storyboard for everybody to share. It enables the on-set assembly person, as we call them, to cut together each take into a sequence. This enables a director to review the take within the context of the sequence of the scene.
It's always a learning process, every time you work with someone. You take a bit of what their history is and hopefully you give a little back.
I'm a believer that people need to understand that filmmaking is not a perfect process for anybody. It is a process in which you find the film and the film finds you. And that is every film.
Film, for me, has been a process of learning on the job.
Every single Pixar film, at one time or another, has been the worst movie ever put on film. But we know. We trust our process. We don't get scared and say, 'Oh, no, this film isn't working.'
Every film is like a baby for me; it's like my own child. I feel protective and aggressive each time my film hit theatres.
It's a constant learning process - not just what you need to learn for the character or as far as good actors - but as an actor, there's no limit. Every time now, you're learning so, I think that's a good thing though.
Everything in The Room, we did it the same way the big studios do it. The only difference is the budget and the actors. We put an ad in Back Stage West and in return we got almost 8,000 headshots from people who wanted to be in the film. We then do a process of selection and a rehearsal process after they are selected. The process of audition is very time consuming.
With each new day, I'm learning how to take control in order to have balance in my life. I plan time for myself and my loved ones and take it.
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