A Quote by Vetrimaaran

The best part about an actor is that they should firstly be receptive and secondly be expressive. — © Vetrimaaran
The best part about an actor is that they should firstly be receptive and secondly be expressive.
As an actor, it filled me with joy that 'Raazi' was well-received and it gave me an identity and improved me as an actor. It was Meghna Gulzar's guidance that brought out the best in me. She is a receptive filmmaker who knows the art of extracting a performance.
Every actor has a different temperament. Part of my job is to know what those boundaries are. The actor has to know you'll be there at the other end, that you're trying to represent them in the best light, who they are as they're harnessing these roles. The methods vary from actor to actor.
Part of it has to do with the discipline of being actively receptive. At the core of this receptivity is a process that might be called soft eyes. It is a physical sensation. You are not looking for something. You are open, receptive. At some point you are in front of something that you cannot ignore.
I always thought the leading actor should be the best supporting actor, because you're the only person that can help every other actor on the set.
Probably the best part about being an actor is that you get to be a traveling wanderer.
A good actor makes clear the meaning of the words. A better actor gives also the emotion of the part. The best actor adds emotion of which the character is unconscious.
The actor should not play a part. Like the Aeolian harps that used to be hung in the trees to be played only by the breeze, the actor should be an instrument played upon by the character he depicts.
The best part of a Mr. Goodbar is not the wrapper, is it? No, and the best part of a Coke is not the can. On those nights when you lie awake, either man or boy, wondering about yourself, peeling away one layer of oddness after another, you should remember and always be grateful that the woefully imperfect person that you are, with all your contradictions and unworthy desires, is not the best of you, any more than the wrapper is the best part of a Mr. Goodbar. -Odd Thomas - Odd Apocalypse by Dean Koonts pgs. 354-355 chapter 53
Sometimes you choose the wrong actor, he could be the best actor ever, but hes not cast in the right part then it doesnt work.
An actor is an actor. There should be no labelling - mainstream actor, art film actor, serious actor, comic actor.
You have to believe in yourself and always strive for the best. Whether that is getting the best actor, the most talented cinematographer, or the best location for your story, you have to have the hunger to want it and be willing to do what it takes to get it. A filmmaker should never be satisfied with their work. There should always be something that they want to improve on.
Part of what's cool about being an actor or being in this industry, frankly, is to be able to travel to distant lands. That's part of the deal. I always thought when I was growing up, "I wanna be an actor and go see the world.'
For an actor, style comes last. You first have to implement the whole thing, but your style comes from the subconscious, which is the best part an actor brings to his work.
You really have to get out of an actor's head to write because actors only care about their part and it revolves around their part so "This is the important part because this is the part where..." .
All human action is expressive; a gesture is an intentionally expressive action. All art is expressive - of its author and of the situation in which he works - but some art is intended to move us through visual gestures that transmit, and perhaps give release to, emotions and emotionally charged messages. Such art is expressionist.
Nature paints the best part of a picture, carves the best parts of the statue, builds the best part of the house, and speaks the best part of the oration.
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