Primarily, a festival is a platform to sell films that are not meant for the mainstream audience. Cultural exchange is also important aspect of a film festival.
The Cannes Film Festival is the biggest, most prestigious film festival in the world. This is where filmmakers are discovered, where futures are made, and the most important films premiered.
Tribeca Film Festival Doha will be both an industry festival and an audience festival, not just an event for insiders. Community outreach will be a major part of what we're doing. We'll put filmmakers in touch with local, regional, and international audiences.
I remember in 1968 when we were in Cannes, in the festival, and we were supposed to be there 10 days, and the second day the festival collapsed because the French, you know, film-makers raised the red flag in the festival and ended the festival.
The Woodstock Film festival is among the finest of a dying breed: a festival that isn’t trying to sell you anything, but simply and beautifully celebrating the art & craft of filmmaking.
I've always been interested in showing our films to international audiences. The easiest way is through the festival circuit, a big marketing platform for films that aren't big enough to be in the mainstream race.
Adding C3, the leading festival portfolio in North America, to our global portfolio of Insomniac, Festival Republic and Country Nation provides Live Nation with the world's largest festival platform.
If you get to bring a little movie on the festival circuit, it's a nice experience because you get to see it with an audience. People who go to festivals to watch films are usually a little more eager to enjoy them. It's exciting because it's like you're going to the film's opening night at every festival.
In 1987, I had no idea who Steven Isserlis was. We met at the Spoleto Festival in Charleston, South Carolina. It was originally just an Italian summer festival, but for the past 14 years, there's also been a spring festival in America.
The Cannes film festival is about big-budget films but also remarkable films made in different political regimes by film-makers with little resources.
I think one of the London Film Festival strengths is that it's set in London but it's not about London. It's about the diversity of this city and it's about world cinema. And that's what London is - London is a place where its identity is always in a state of flux. So, this festival celebrates the way in which it is always changing. That's why London is a fascinating place and that's why the film festival is a fascinating film festival.
Only in Texas can mesquite have its own festival, then there's a crawfish festival, a festival for strawberries, everything has its own festival, with each town having their own yearly thing.
Arguably, the Venice Film Festival is the second best film festival in the world, after Cannes.
I like the Edinburgh Film Festival, and I've liked what I've experienced of Glasgow's Film Festival too.
At Performa in New York, there are a lot of commissions, but Manchester Festival is the only festival where everything is fully produced by the festival.
I've played festivals in Australia. If it's a dance music festival or mainstream festival, there's maybe, like, 10 percent who pay attention to the music.
To be honest, I was just honored to be in the same festival [ Raindance Film Festival's ] as Johnny To and Dominik Moll.