A Quote by Victor Navone
The fun of being a supervisor is that you kind of get to shape the film as a whole rather than crafting a complete scene. I can't really think of one in particular that I feel like I own, except for a couple shots that I animated, which is fun. But feeling like you contributed to the whole is the most satisfying thing.
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There's nothing better than being in a film that translates to audiences and makes people think and feel good and walk away with great revelations in their own life of some kind. But when the process and the experience and the fun of that matches, it's a good feeling.
I'd really like having a couple days of being a rock star, although I'd rather be a backup - like maybe the drummer for Muse... It would also be fun to be gorgeous, like be Charlize Theron, just for a couple of days.
I'd really like having a couple days of being a rock star, although I'd rather be a backup - like maybe the drummer for Muse It would also be fun to be gorgeous, like be Charlize Theron, just for a couple of days.
I feel like I'm going backwards, actually, as I get older. I'm regressing. I feel more and more like a kid, which is kind of a fun feeling.
There's nothing more fun than standing at the plate and hitting the ball really hard, see the ball go over the fence. It's really a satisfying feeling. It always makes you feel like you're doing your job.
I love to have fun. I do my own shopping. I do my own yardwork. I like to garden. I like to fish. I like to golf. I'm an outdoorsman. I like to cook. But when I hit the football stadium, I click the switch, because I know I'm there for a job. I get in a whole different mindset when I enter the stadium. But once I leave I'm back to being a father, husband, a friend.
The music I'm playing now is the music I always imagined myself playing when I was a kid. It's been nice to use my instrument a bit more - play the guitar in a more fun way with riffs and stuff like that - rather than just propping up a whole song with a guitar and my vocals. There's so much more energy in the crowd as well; they've been bouncing around and having fun, and it's nice to feel like you're a part of something in a room rather than just performing for a crowd.
Being in darkness and confusion is interesting to me. But behind it you can rise out of that and see things the way the really are. That there is some sort of truth to the whole thing, if you could just get to that point where you could see it, and live it, and feel it. I think it is a long, long, way off. In the meantime there’s suffering and darkness and confusion and absurdities, and it’s people kind of going in circles. It’s fantastic. It’s like a strange carnival: it’s a lot of fun, but it’s a lot of pain.
I think these are such different films that it's hard to compare, because with Quentin we were all just like, it was like a party every day, you know, it was like that film was just like silly, it was just really for fun, it was really, it wasn't, you know, to make a huge impact. I t was just we wanted to have fun and go to work every day and do a fun movie. And this is like huge, I mean, this is like huge studio film, there's a ton of action, it's like really hard work.
It's never really fun to have to cry in a scene, or anything like that. I just try to put myself in the characters position, and that helps. It's never really fun, but at the same time, if you're having a really bad day, it's a great way to get out all of your frustration by doing a really angry or sad scene. That's always a good release.
They're both a bit cavalier about the whole thing at first; more than anything, they seem to think that it's going to be a lot of fun. Which it is, of course, but mostly in the way a plane crash is fun to reminisce about after you survive it.
So I really love this very difficult feeling of being completely out at sea. I don't know what I'm doing, and I kind of like this feeling. So I think for the moment, I'm going to continue to try and nail film down in some sort of shape where I'm happy with it.
The biggest thing that I don't like about L.A. is the sort of 2 a.m. shutdown of everything. It really kind of stagnates the nightlife. It's very hard to casually have fun in Los Angeles. If you want to go out and have fun it's like a full-time job, you have to really prepare, and call ahead, and get on a list, and know somebody... It's really rough to relax here.
My stupid ambition is to make a film that's not like any other - one that has its own kind of logic and hooks viewers without making them think too much. It's a film I'd love to see, one in which after 10 minutes the audience isn't able to predict the whole thing.
Mo-cap work is less technical than you'd expect. Once you have it all set up you're free to do the whole scene in one take rather than doing a lot of different shots and different takes like you do in a movie. You've got that one go at it and you've got a lot of freedom. You can really express yourself - more like doing theatre than doing a movie.
Animation films are about entertainment and about fun for the whole family, and if you went too far down a dark path, it's not what people, I think, expect from a great animated film.
