A Quote by Vijay Krishna Acharya

Box office success is pertinent but the story has to have a life beyond the two hours. — © Vijay Krishna Acharya
Box office success is pertinent but the story has to have a life beyond the two hours.
I like to think of myself as the Chris Benoit of the movie industry, capable of taking any picture and carrying it to box-office success. Take Garden State, without me that would have just been two hours of Portman doging.
The effort always remains that my new film outdoes my last in terms of performance and gets better box office success. Box office is the sole reason why I do films.
Success has nothing to do with box office as far as I'm concerned. Success has to do with achieving your goals, your internal goals, and growing as a person. It would have been nice to have been connected with a couple more box office hits, but in the long run, I don't think it makes you happier.
Box office success has never meant anything. I couldn't get a film made if I paid for it myself. So I'm not 'box office' and never have been, and that's never entered into my kind of mind set.
Here's a pointer culled from the careers of men who have attained notable success: Don't sit in your office during the hours prospects can be seen. Do your office work before or after the hours during which possible customers can be reached. This may mean adding an hour or two quite often to your day's work; but in times like this particularly, the securing of a satisfactory amount of business through the expenditure of an extra hour or two a day is not an unreasonable price to pay.
There's only one barometer for the commercial success of a film and that's the box office. The obsession with box office doesn't annoy me. It's the main part of the business, if you get irritated with the main part then you're in trouble.
I didn't know box office was a thing you could possess but I don't have it. I go up for lovely roles and people with this nebulous thing called box office get them so there isn't much I can do about that unless you know where I can get some box-office myself!
I think what you have to do is have a box office success in every genre and then you're set for life. And fortunately, I happened to do that, so I get a myriad of offers of various sorts.
Everyone thinks that Fight Club is a very important and successful film, but it was a massive box-office failure. Massive. It was a big flop by any commercial-release standard. And it's been a huge hit on DVD. Everything that movie has become has been on DVD. So you can't stake your sense of creative success on this whole box-office-performance matrix, because if you do, you're going to be disappointed most of the time.
I don't judge cinema on its box-office success.
You can write a short story in two hours. Two hours a day, you have a novel in a year.
You can write a short story in two hours. Two hours a day, you have a novel in a year
The success of Chandni Bar' at the box office was a huge boost at that time of my career.
I hate how box-office failures are blamed on an actress, yet I don't see a box-office failure blamed on men.
You have to have box office success because only then will people show interest in you.
Box office success definitely matters. I will be lying if say it does not matter.
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