A Quote by Vijay Krishna Acharya

I like to direct what I write. — © Vijay Krishna Acharya
I like to direct what I write.
I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.
There are a couple of stories that I have in my head for which I feel like I should collaborate with people. So yes, if I would like to direct, I would also like to write whatever I direct.
I like photography and I write; I also write music. One day I would like to direct [films] as well.
I write a lot too, so I would like to write or direct in the future if I can.
When I write something, I want the best director to direct it. And that's not going to be me. So when David Fincher comes along and wants to direct 'The Social Network,' when Bennett Miller comes along and wants to direct 'Moneyball,' or when Danny Boyle wants to direct 'Jobs'? Hallelujah. I want them directing it.
Every actor I ever meet goes, 'Ultimately I plan on having my own company and write and direct,' but yes, I too would love to write and direct a movie. I want to do a play, too. I want to do it all.
I like writing for other people. I love it. It's great because you write it and then you hand it off to someone else. But in terms of directing, anything I direct will be something I've written or re-written. I'm in no crazy rush to direct.
I enjoy storytelling. I like to write it, I like to direct it, I like to act in it, I like to produce it. I like to be around storytellers. That's what excites me.
Australia, most of the filmmakers there write a film and they direct it. There's a lot of writer/directors there, because nobody wants to write a script and then let it go when they've had that much of a personal investment to it, because you're not getting paid huge amounts of money in Australia to direct.
When I write a project, it might be something that I want to do and then when I look at it, I'm actually like, "I kind of don't want to direct it." I don't know why, I still love it enough for it to be made and to support it, but I don't want to direct it. I just give it to other directors and they do a good job!
I don't think I ever wrote a song. I can write a lot of jokes, but when I try to write lyrics they're the most direct, non-figurative words, like, 'I like you, I like you,'... and that's it, for the whole song. People would go, 'Ooh, this guy's Dylan or something.' It gives me a lot more respect for songwriters, actually.
It's what I wanted to do with my life. Not necessarily just direct Jim Carrey movies, but to direct and act and write and create and along the way discover what it is that I'm about.
I am profoundly uncertain how to write. I know what I love and what I like, because it's a direct passionate response. But when I write, I'm very uncertain whether it's good enough. That is, of course, the writer's agony.
I've always been trying to write songs like Lightfoot. A song of mine like 'Come Monday' is a direct result of me trying to write a Gordon Lightfoot song.
I have always thought of myself as a writer, only because I need things to direct, and I can't not write the things that I direct.
Yeah, well I can't see a situation where I wouldn't at least re-write as a director something I was going to direct. At the moment, I wouldn't direct anything that I hadn't written. I can now say, as everybody else says, that it all depends on the script.
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