A Quote by Vijay Krishna Acharya

As a filmmaker what you can hope to do is doing what drives you. — © Vijay Krishna Acharya
As a filmmaker what you can hope to do is doing what drives you.
Yeah. And it was too much of what you shouldn’t be doing instead of what you should be doing. I get enraged when people start telling other people how to live their lives. It drives me mental. This Prop.8 thing just drives me mental
Hope is the destination that we seek. Love is the road that leads to hope. Courage is the motor that drives us. We travel out of darkness into faith.
Hope drives us to invent new fixes for old messes, which in turn create ever more dangerous messes. Hope elects the politician with the biggest empty promise; and as any stockbroker or lottery seller knows, most of us will take a slim hope over prudent and predictable frugality. Hope, like greed, fuels the engine of capitalism.
I spent all night working on it, and I hope Patrick likes it as much as I do. Especially the second side. I hope it's the kind of second side that he can listen to whenever he drives alone and feel like he belongs to something whenever he's sad. I hope it can be that for him.
We've been fighting our whole lives to say we're just human beings like everyone else. When we start separating ourselves in our work, that doesn't help the cause. I've heard it for years: 'How do you feel being a black filmmaker?' I'm not a black filmmaker, I'm a filmmaker. I'm a black man, I have black children. But I'm just a filmmaker.
Some black filmmakers will say, "I don't want to be considered a black filmmaker, I'm a filmmaker." I don't think that. I'm a black woman filmmaker.
Well, when Christ comes back this time, I hope He comes back mad His own self. I hope He drives the Jim Crowers out of their high places, every living last one of them from Washington to Texas.
I'm a film director. Gay is an adjective that I certainly am, but I don't know that it's my first one. I think if you're just a gay filmmaker, you get pigeonholed just like if you say I'm a black filmmaker, I'm a Spanish filmmaker, I'm a whatever.
I don't really consider myself an American filmmaker like, say, Ron Howard might be considered an American filmmaker. If I'm doing something and it seems to me to be reminiscent of an Italian giallo, I'm gonna to do it like an Italian giallo.
I love making films. I'm happiest when I'm doing it. For me, the fear is not being able to make the next thing and not being able, as a woman filmmaker and as a filmmaker of color, to put together the resources to make another thing.
What you hope, what you're trusting the filmmaker to do, is to capture the emotional truth of the situation.
Hope is often bitter, but it drives us, and we cling.
Hope is a key ingredient in what drives creativity - the hope of bringing to life what exists in the imagination, of transforming the ordinary into the extraordinary - so it's completely logical that Hollywood is the entertainment capital of the world. It's full of people bursting with the desire to make the world laugh, cry, think.
It drives on with a courage which is stronger than the storm. It drives on with a mercy which does not quail in the presence of death. It drives on as proof, a symbol, a testimony that man is created in the image of God and that valour and virtue have not perished in the British race.
I hope I stand for antibigotry, anti-Semitism, antiracism. This is what drives me.
The presence of hope in the invincible sovereignty of God drives out fear.
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