A Quote by Vikram Bhatt
If you work with a big director, access to stars becomes easier.
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In a sense technology is a tool of sort of individual choice, individual creativity, individual empowerment, individual access. My kids will never understand that it used to be kind of hard to access and find things, and know what the world knows and see what the world sees. Yet it becomes easier and easier every day.
What's great in the modern world is that it's becoming easier and easier for people to create without having access to large sums of money. They need access to certain technologies, but the cost is far less than it used to be.
A disk unbeknownst to the director can go to the producer in another city or in another office and that producer can edit behind the director's back much easier than in the old days. Since these dailies are now put on videotape, more kinds of people have access to dailies.
If you work with big stars, then they become the lead actors. It's not that I don't want to do films with big stars, but I would rather do the films where I get the title roles.
In Hong Kong, in our generation that started out in the 1970s, being a director wasn't a big deal. We didn't even have director's chairs. We weren't particularly well paid. The social standing of a film director wasn't that high. It was a sort of a plebeian job, a second or third grade one. And the studio heads are always practical, there's never any fawning because someone is a director. There's very little snobbery about one's position as a director. The only ones people treated differently were those that were also stars; or the directors who also owned their companies.
You get a lot of mileage from understanding what your voice is. When you have a strong idea and you know exactly what you're doing, it becomes hard for people to throw up resistance. It becomes much easier to work with you.
After making two big movies 'Chocolate' and 'Goal' with big stars and being completely involved with making ad films as such, the time had come to reinvent myself not only as a director but also as a human.
The emotional stuff is the biggest challenge, for me to access that. As life passes, you encounter difficulties and tragedies, and so it becomes easier. 'Carnivale' required that of me, and it was really hard.
There is one common thing in superstars - enthusiasm and humility towards their work. Off sets, they are big stars for others, and they carry themselves the way they want to. When they are working, they are not stars.
I don't think just because I work with big actors, I will become a big director. So I work with only actors who do justice for my roles.
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
In essence, big stars come with a set image, and breaking it becomes a task for certain stories.
In the Internet world, both ends essentially pay for access to the Internet system, and so the providers of access get compensated by the users at each end. My big concern is that suddenly access providers want to step in the middle and create a toll road to limit customers' ability to get access to services of their choice even though they have paid for access to the network in the first place.
And I hope seeing a therapist becomes 10 times easier in the future. For me, once I came out of treatment, I got into a therapist and continued my road to recovery and health and happiness. But not everyone can do that. It's challenging to see a therapist when you work full-time, when you can't get an appointment within a week, and then by the time you do get one, maybe you feel like your "problem" has lessened and you don't bother to go in. It's about access.
The College Access and Opportunity Act addresses the important need to make higher education more affordable and easier to access for low and middle-income students.
The pressure is always stepping on stage with actors who are just so well-established. It's a scary thing. I haven't been around the block that many times, especially not on big projects. Dialogue makes things easier. When you start bouncing dialogue off of other actors, it becomes comfortable; it becomes conversational.
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