A Quote by Vikram Bhatt

I've put my days of fantasy behind me and make authentic realistic films. — © Vikram Bhatt
I've put my days of fantasy behind me and make authentic realistic films.
If you have a dream, to make it happen, all you have to do is start with one video and take it one video at a time. It may seem a little daunting to go from registering your YouTube channel to making it a full-time career, but if that is an aspiration for you, it's 100% doable if you're authentic, if you're persistent, if you put your best foot forward, if you come at it with realistic and authentic aspirations and intentions. If you try, then it's possible.
I can work in films as long as the story doesn't have a realistic nature. If I'm working with an allegory, a fantasy, it can be developed in synthetic terms.
I'm realistic about my age and realistic about the fact that there's an awful lot less in front of me than there is behind me. I've always felt that music is an art form that deserves to live the life of the artist.
I put the movie days totally behind me... It was a part of my past that I really kind of put in a little drawer and shut the door.
When I see myself in the videogame it's amazing how realistic I look. This is the most authentic and realistic soccer game I have ever seen. It is like I'm looking in a mirror. The attention to detail is incredible.
I get so tired of people saying, 'Oh, you only make fantasy films and this and that', and I'm like, 'Well no, fantasy is reality', that's what Lewis Carroll showed in his work.
The thing to me that's fun is trying to make the characters seem believable, or realistic. And it's especially challenging when you're doing fantasy stories, when you're doing superhero types of things.
Here I was, having done a thriller and a horror movie - why did I have the audacity to make a romantic fantasy? How can I continue to make genre films? Well, maybe I don't want to continue to make genre films.
I'm not able to completely escape naturalism. It's very difficult to escape from naturalism without being too dry. That's what I try to do in my cinema - escape naturalism and do films that are, at the same time, realistic but have a lot of fantasy. It's very difficult in cinema to get away from what life is about, from real life. The way the actors work has to be realistic - you can't do Baroque acting - so it's very complicated. And, we're human beings, so we're not perfect. I'm trying to do something different.
I'm definitely a big believer in the notion that a heightened style can get you closer to an authentic human experience than so-called realism on film. There are films I love that have kind of a muted or realistic style, but for me on any given day I have more moments during the course of a day that feel like a Fellini movie than I do a Cassavettes movie.
Many people are under the delusion that I'm just a special-effects man, but I've worn many different hats in my day. On every film I've been involved in, I worked with the writer and producer. We really formulated those scripts. We tried to make films that were logical but still had the fantasy feel of it. I enjoy Aardman Animation's films with Wallace and Gromit, but they're obvious puppet films, whereas we tried to disguise it and make our effects characters in the films rather than obvious puppets.
I'm interested in seeing films that confront me with new things, with films that make me question myself, with films that help me to reflect on subjects that I hadn't thought about before, films that help me progress and advance.
We don't make glamorous movies today. Everything now is very realistic, artistic - and depressing. When is the last time you you saw a wonderful musical or a fabulous fantasy?
'Monster Hunter' was its own series, its own franchise, and it just so happened that we wanted to make a realistic fantasy-based action game, and because we had the staff available to make something like that, we're able to make this game. The ideas for 'Dragon's Dogma' came from a completely different place.
There are films that I don't like, and then someone will come up to me and say it's their favorite movie. The movies belong to the people. You make them and you put them out. For me, I love the process of making films. For me, my favorite film is always my next one.
When I stopped making films, they were getting on to the more realistic films and the explicit films and all. They were depicting life as it is, and some of it was unpleasant. I gradually moved away from that.
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