A Quote by Vikram Bhatt
In a horror film the protagonist should be vulnerable enough for audience to be worried about him. You can't have a six feet boxer and expect audience to worry about him.
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Audience doesn't necessarily come only to see a hero with six-pack abs. They will watch him, but if someone who doesn't have that physique and is playing the protagonist, they'll watch that too.
I like Mitt Romney as a person. I think he's a dignified person. But I have no common ground on economics. He doesn't worry about the Federal Reserve. He doesn't worry about foreign policy. He doesn't talk about civil liberties, so I would have a hard time to expect him to ever invite me to campaign with him.
I think we should be worried about the fact that we have become, as a society, very focused on the way people look, the way they dress. I do think we should worry about that because we should be worried about content. We should be worried about ideas. We should not be putting form over function.
I worry about America. For the first time in my lifetime, I'm worried about us, i'm worried about how our values to some degree have been eroded, of personal responsibility and compassion and teamwork. I worry about it, I worry about the fact that we're so divided.
My audience expects cold, hard truth. They don't expect me to dance around it. They expect me to say it the way they think it. That's part of my brand. If I don't do that, then my audience goes, 'What's up? Is he sick or something? What's wrong with him?' The entity has a brand.
Don't worry about me," I finally said. "Really. I'm more worried about you." And even more worried about where Graves is. "Are you?" A fey smile lit his face, and I caught my breath. It was a shock to see him look so happy. "Well, then.
To act alongside a TV idol of mine, Peter Krause, was phenomenal. I watched him in 'Six Feet Under,' I watched him on 'Dirty Sexy Money' and I'll carry on watching him, and I've been lucky enough to be a part of that world with him.
You become a parent, and your whole life becomes about worrying. You just worry constantly whether they'll be okay. And the idea that I'll be worried forever about them and what they do...I almost have a panic attack when I think about it. I'm worried, and I'm worried about having to worry so goddamn much.
I used to worry about money and career and what was going to happen. How was I gonna succeed or fail in the world? And I thought about it enough that I'm no longer worried about it. I'm not... I don't worry about what's gonna happen in my life. I don't worry about telling me about dying, my own mortality. That's a given.
When I'm shooting, really the audience I'm thinking the hardest about is that first test screening audience who I want to like the film and that first opening weekend audience.
Let no preacher in a little church think that he has no audience for his message. An unseen audience of multitudes compass him about! Let no Christian who sins in the dark think that he is unobserved. He is compassed about with so great a cloud of witnesses! Assuredly in Heaven they know what goes on on earth.
Silence Of The Lambs? is a ?fantastic? film. It's a horror film, and it's an incredibly well-told film that is about point of view in such a unique way. The way that film is shot, the way the eyelines are so close, if not directly into camera, betrays an intimacy with the characters and the audience.
Even if you make a movie about a criminal locked up in prison, you may not support him as a criminal, but you have to like him on some level. You have to love your protagonist and respect him. He will only open his heart to you when he believes that you are treating him with respect, with love. Only then will there be no more walls between the filmmaker and the protagonist.
There's actually a disdain for the conversation about audience in the art world. Artist to artist, if you say, "What do you think about audience?" they would probably say, "I don't think about audience, I only think about my work," yet the audience is such an important part.
I think when you're younger, as an actor you have much more of a notion that you are doing something to the audience. But with experience, I think you begin to worry less about what the audience's experience is and concentrate on working with the other actors, and that tends to let the audience do more work.
Wait a minute. You expect me to stay overnight in a house with four single men? Sean grinned. We're perfect gentlemen, Kim. Everyone knows that. Don't let us worry you. I'm not worried about my reputation, I'm worried about the state of the bathrooms.
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