A Quote by Vikramaditya Motwane
Showrunning is when you're the constant creative voice in the show. For a year-and-a-half, you are working on the scripts, you're fine-tuning them, you're the final say on the edit, the music and the cast.
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A good edit process turns rocks into diamonds, and every author should love that part as much as the creative phase. I do love it. It's a different side to writing. It's like the fine-tuning.
Yeah, it's funny, working on a show with as large a cast as we have here, your work gets sort of compartmentalized. There's still about half the cast that I've never had a scene with but I have missed working with Terry.
The finest singing, given a good voice to begin with, comes from the constant play of a fine mind upon the inner meaning of the music.
The other way is the multiverse way. That says that maybe the universe we are in is one of a very large number of universes. The vast majority will not contain life because they have the wrong gravitational constant or the wrong this constant or that constant. But as the number of universes climbs, the odds mount that a tiny minority of universes will have the right fine-tuning.
I actually credit Twitter with fine-tuning some joke-writing skills. I still feel like I'm working at it.
I don't think writing stops until the film is out. In the edit, it's another draft. [The script] is the food for set, and then the set is food for the edit, and the edit is food for the screen. It's constant, and this is just the first stage of it.
There were a lot of lessons of production to be learned. On the page, the biggest thing you learn on any TV show is how to write to your cast. You write the show at the beginning with certain voices in your head and you have a way that you think the characters will be, and then you have an actor go out there, and you start watching dailies and episodes. Then, you start realizing what they can do and what they can't do, what they're good at and what they're not so good at, how they say things and what fits in their mouth, and you start tailoring the voice of the show to your cast.
I've got a gig," Jim said. I sat up in my bed, wide-awake. A gig was good- I needed the money. "Half." "Third." "Half." "Thirty-five percent." Jim's voice hardened. "Half." The phone went silent as my former Guild partner mulled it over. "Okay, forty." I hung up.(...) The phone rang. I let it ring twice before I picked it up. "Fine." Jim's voice had a hint of a snarl in it. "Half.
Farmers the world over, in dealing with costs, returns and risks, are calculating economic agents. Within their small, individual, allocative domain, they are fine-tuning entrepreneurs, tuning so subtly that many experts fail to recognize how efficient they are.
We've done things that are faster at times, but it's definitely different when we direct all the episodes because it's like we have to write them all, then shoot them all, then edit them all. So we have to just get ahead on those scripts basically.
I'm always chipping away at myself, fine-tuning the music that I want to do and the influence I want to have.
My favorite thing about acting is being alone and going through the scripts and working on it and getting ideas and asking myself questions, looking outside myself for them and researching and getting to the bottom of something and being creative with it as an actor and how to express it in a creative fashion. That's my favorite part. And, the actual acting of it.
The creative part, with the writing of it and the vision, and finding the voice of a show and the characters, is much harder to teach somebody. It's like music. You can either play it or you can't. If you can't play music and you really struggle and work hard, you can learn, but you have to have some inner gift to take it to the next level.
I mean, I'm pretty sad that I have to leave all of my home friends and I can't see them for basically half a year. That's not a great thing, but we'll FaceTime and stuff. What I'm excited for is to be on the set with all the 'Stranger Things' cast.
When I take on a role, all I tend to do is get to know the script and ask millions of questions, and keep fine tuning what I think the character is trying to say.
I write a chapter, then edit it and edit it and edit it and edit it. I don't think we mine creativity from within. It's bestowed from on high, from God.
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