A Quote by Vikramaditya Motwane

I would love to direct a documentary film if any good subject comes my way. — © Vikramaditya Motwane
I would love to direct a documentary film if any good subject comes my way.
Let me put it this way: I would like to direct a successful film. An unsuccessful film I would not like to direct. Films are very difficult.
If you're a great documentary filmmaker, it doesn't necessarily mean that you're a great narrative filmmaker. There are fantastic documentary filmmakers that can't direct actors. You don't have to do that in a documentary, if it's a real documentary.
I think I would co-direct because I love actors and I've got a very good eye. I'm not a second-guesser. I don't think that I would be very happy, getting inundated by financial issues. I would love to co-direct with somebody because that would be a real freedom and an adventure, and then I could leave all the pain and misery to them. I'm not glib about it. I would take the responsibility to make a really good movie.
I would make a huge distinction between theater improvisation and film improvisation. There isn't much improvisation in film - there's virtually none. The people that theoretically could be good at this in a theater situation don't necessarily do this in a film in a way that will work, because it's much broader on a stage. But in a movie, it has to be real, and the characters have to look entirely real because it's being done as a faux documentary, so there are even fewer actors that can do that on film.
I like to act in films, I like to shoot 'em, I like to direct 'em, I like to be around 'em. I like the feel of it and it's something I respect. It doesn't make any difference whether it's a crappy film or a good film. Anyone who can make a film, I already love. But I feel sorry if they don't put any thought in it because then they missed the boat.
I don't think the subject of a documentary film should be producers on it.
'This is Spinal Tap' was a film we felt really had to be done like that. It wouldn't have worked any other way. And it turned out to be the first time a fiction film had really been made in a documentary format. I continued to do that, obviously, because it's a fun way to work.
Since I have spent so much time with film-makers, and I understand the process, I would love to direct a film some day.
People outside the documentary world don't realize how time-consuming making a documentary film is there is a lot of responsibility, and in order to make something good you need time.
The makers of 'Ushakaal' said that if I don't do the film they would shelve the project. I didn't want a good subject to be shelved because of me so I went ahead and did the film.
Most people look at a feature film and say, "It's just a movie." For me there is no border or wall between fiction and documentary filmmaking. In documentaries, you have to deal with real people and their real feelings - you are working with real laughter, happiness, sadness. To try to reflect the reality is not the same as reality itself. That's why I think that making a good documentary is much harder than making a good feature film.
When I work, I'm the actor. I'm going to do my job. I'm not going to direct the movie. If I wanted to direct it, I would direct it. I wanted J.J. Abrams to direct Mission: Impossible. I work with people that I respect. I expect them to do their jobs, and I will do mine. And I am there as a producer to help in any way, but no one makes a movie by themselves. It's a collaboration.
The power and appeal of Documentary is the way it alters and plays with the way the viewer relates to and understands the subject.
I have no ambitions at all! I have none... seriously. I want to be a good father. I want to be a good husband. I want to be a good son, a good brother, a good family member. I don't have any ambition to direct a film or write a play. I like acting.
Let's put it this way: if I were to direct a feature film, I would not be in it.
I'm an actor who loves to direct film, if I find something that I'm compelled to do and want to spend three or four years doing. I really love the process, though. I might have to just say, "Yeah, I want to direct that," because I want to direct something, but that's just not the way my being is. It's got to be a necessity for me, otherwise I'll just keep acting.
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