A Quote by Vikramaditya Motwane

I think I like reluctant protagonists. — © Vikramaditya Motwane
I think I like reluctant protagonists.
So you’re reluctant, I said to myself. Many, many people are reluctant. It’s like having feet. It’s nothing to brag about.
I think women have every right to feel like they're the protagonists in their own stories.
If I think about my life, I'm not reluctant about taking chances. I'm definitely not reluctant about relationships.
I think as readers we put ourselves in the protagonist's place because we want to be like that person. That's why sometimes we don't like protagonists who aren't all that nice; we want to relate to the protagonist.
Television is often out ahead on social issues. With film, we've only recently proved that one of the oldest misconceptions in the book is wrong, which is the idea that girls will see films with boys as protagonists, but boys won't see movies with girls as protagonists.
You don't need to like your protagonists.
I don't think there is a thing like overconfidence in chess. It's always better to be too confident than too reluctant.
I'm not interested in making movies only with female protagonists. I think it's ridiculous to think that a female director can't direct men. That makes no sense to me.
I think when we talk about corporal punishment, and we have to think about our own children, and we are rather reluctant, it seems to me, to have other people administering punishment to our own children, because we are reluctant, it puts a special obligation on us to maintain order and to send children out from our homes who accept the idea of discipline. So I would not be for corporal punishment in the school, but I would be for very strong discipline at home so we don't place an unfair burden on our teachers.
When you are reluctant to change, think of the beauty of autumn.
I feel like I have had to catch up to the art I've made, and learn from the protagonists I have written, especially in relation to gender.
I like when people question if the characters are really villains or protagonists. These types are very interesting to write about.
If I decide to leave Bayern Munich, it will be for a Spanish club. I have to think about what my family wants as well and my wife would be delighted to move to Spain. She doesn't like all the rain and snow and is reluctant to go to England.
Politics becomes a part of a writer's working life. The writer's protagonists are born in the context of the feelings that this atmosphere evokes. How can writers separate themselves from these feelings and create protagonists that come from Mars? Even writers who only write about psychological or internal issues or about love are writing under their prevailing atmosphere, and their writings will take on the hue of the time, place, and mood of their environment.
I like getting under the skin of the protagonists of every book I read, it makes the whole story so much more personal.
I think humanitarian organizations should acknowledge the progress more than they do. I think that one reason people are reluctant to provide more help to Africa, for example, is this sense that it's just hopeless, in a way that I think is untrue.
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