A Quote by Vikramaditya Motwane

We don't have a superhero culture. Comic books and superheroes are part of American culture. We have 'Amar Chitrakatha,' etc. — © Vikramaditya Motwane
We don't have a superhero culture. Comic books and superheroes are part of American culture. We have 'Amar Chitrakatha,' etc.
I grew up with comic books, and I'm from the Caribbean, so comic books were really a great interrogator of American culture for me.
As it turned out, if you look at the history, everything in superhero comic books pretty much lies between Superman and Batman: Superman being the greatest superhero there is, and Batman being the one of the few superheroes who has no superpowers and is, in fact, not a superhero.
We do not have an American culture. We have a white American culture and a black American culture. So when those two groups try to get together, [it's] very difficult because they each feel like they have the right to their culture.
Superhero movies and comic books teach a lesson that runs directly counter to the culture-of-violence idea: guns are for bad guys too cowardly to fight like men.
A culture-bearing book, like a mule, bears the culture on its back. No one should sit down to write one deliberately. Culture-bearing books appear almost accidentally, like a sudden surge in the stock market. There are books of high quality that are a part of the culture, but that is not the same. They are a part of it. They aren't carrying it anywhere. They may talk about insanity sympathetically, for example, because that's the standard cultural attitude. But they don't carry any suggestion that insanity might be something other than sickness or degeneracy.
I like the superhero comic books, and I like to see what the actors do creatively with the characters and how they bring these superheroes to life in the movies.
Many teachers of the Sixties generation said "We will steal your children", and they did. A significant part of America has converted to the ideas of the 1960s - hedonism, self-indulgence and consumerism. For half of all Americans today, the Woodstock culture of the Sixties is the culture they grew up with - their traditional culture. For them, Judeo-Christian culture is outside the mainstream now. The counter-culture has become the dominant culture, and the former culture a dissident culture - something that is far out, and 'extreme'.
Explain to me what Italian-American culture is. We've been here 100 years. Isn't Italian-American culture American culture? That's because we're so diverse, in terms of intermarriage.
I’ve always thought that if comics are a part of pop culture [then] they should reflect pop culture, but a lot of the time comics, superhero comics especially, just feed on themselves. For me, comics should take from every bit of pop culture that they can; they’ve got the same DNA as music and film and TV and fashion and all of these things.
I definitely read the comic books and got as familiar with the comic books as possible. I was always a fan of Spider-Man and most superheroes. There aren't a whole lot of little boys out there that aren't.
If most American cities are about the consumption of culture, Los Angeles and New York are about the production of culture - not only national culture but global culture.
Shakespeare is as naturally a part of American culture as it is the British culture; the Americans have a natural interest in their heritage.
As far as geek culture, I didn't grow up in the comic con geek culture lane, then I started doing Comic Cons seeing the impact of it. The character, Rufio living on.
A lot of comic conventions go way beyond comic books and include other parts of pop culture, like celebrities and science fiction and movies and books. So I go to them either as a celebrity, or as a fan, because I'm a big sci-fi geek.
I love comic books, comic book characters and superheroes.
One of the things I think is important about 'Watchmen' is that it have resonance within cinematic pop culture as well as superhero culture.
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