A Quote by Vikramaditya Motwane
Most films have a relationship or lack of it. They are about human beings.
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Relationship between human beings is based on the image-forming, defensive mechanism. In our relationships each of us builds an image about the other, and these two images have relationship, not the human beings themselves.
Most of the projects aren't that interesting anymore. There used to be a day when the studios made amazing films, and they were about human beings.
I think health care is more about love than about most other things. If there isn't at the core of this two human beings who have agreed to be in a relationship where one is trying to help relieve the suffering of another, which is love, you can't get to the right answer here.
Most American films have now become mindless. The human element has been removed, so you are just left with the surrogate human, which is the robot, so coincidentally or, rather, ironically, they are making films about robots, without realising they are talking about themselves.
Every one of us, as human beings, even in a committed relationship, has moments and thoughts and actions that, whether or not they share them with their loved one, tells you, as much as anything, about them as people and their relationship.
The most wonderful of all things in life is the discovery of another human being with whom one's relationship has a growing depth, beauty and joy as the years increase. This inner progressiveness of love between two human beings is a most marvelous thing; it cannot be found by looking for it or by passionately wishing for it. It is a sort of divine accident, and the most wonderful of all things in life.
Some films clearly seem to divide people. And I do think there's something incredibly exciting about the commonality of us as human beings, which some films are lucky enough to tap into.
Human beings have speculated about the relationship between inspiration and insanity for centuries.
Artists use frauds to make human beings seem more wonderful than they really are. Dancers show us human beings who move much more gracefully than human beings really move. Films and books and plays show us people talking much more entertainingly than people really talk, make paltry human enterprises seem important. Singers and musicians show us human beings making sounds far more lovely than human beings really make. Architects give us temples in which something marvelous is obviously going on. Actually, practically nothing is going on.
The core of ethics runs deep in our species and is common to human beings everywhere. It survives the most appalling hardships and the most ruthless attempts to deprive human beings of their humanity. Nevertheless, some people resist the idea that his core has a biological basis which we have inherited from our pre-human ancestors.
A lot of times I'll make films that are mostly character-driven films - stories that involve people. Like, I make the joke: I like to make movies about human beings that live on Earth.
Victims of the violence are black and white, rich and poor, young and old, famous and unknown. They are most important of all, human beings whom other human beings loved and needed.
The thing is, right now the films don't need to be overtly political to be about our times. We also need films that are just human, that are about people. People need that, too. It's like we need to reconnect to what it is to be human. Not just what our political situation is. That's not what I'm thinking about exclusively. Human content is needed again, as it was in the '70s. I think films were more human than they've been since then.
The biggest misconception about me and my work is that I only make political films denouncing human-rights atrocities, even though all of my films are about people fighting for their rights and their quest for justice. My films aren't depressing, are very human, and always offer a way forward.
One of the things that I tell beginning writers is this: If you describe a landscape, or a cityscape, or a seascape, always be sure to put a human figure somewhere in the scene. Why? Because readers are human beings, mostly interested in human beings. People are humanists. Most of them are humanists, that is.
There are two statements about human beings that are true: that all human beings are alike, and that all are different. On those two facts all human wisdom is founded.
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