A Quote by Vikramaditya Motwane
My defining moment was when I finally went to Cannes and saw my name along with international filmmakers.
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When a defining moment comes along, you define the moment, or the moment defines you.
Filmmakers are always in a bubble; along with our crew or writer, we don't really get to socialize with other filmmakers, so the great thing about Sundance is you can see many other filmmakers doing the same thing you do.
I think once you have films in certain festivals you begin to have name recognition, and there are possibilities. Especially for independent filmmakers, it's always good to try the international market because it doesn't have the same kind of baggage.
I was asked to go to Cannes to present Amores Perros. And little did I know that this film would be huge. I saw it for the first time in Cannes, and it was the first time I'd seen myself on such a big screen. And it had a huge impact on me - it was the strangest feeling.
We're at a moment when the international system is in a period of change like we haven't seen for several hundred years. In some parts of the world, the nation state, on which the existing international system was based, is either giving up its traditional aspects, like in Europe, or as in the Middle East, where it was never really fully established, it is no longer the defining element. So in those two parts of the world, there is tremendous adjustment in traditional concepts.
I knew that was going to be the last chance to play in the Champions League final - I was desperate to win, I put a lot of pressure on myself. Finally I got hold of that cup - it was the defining moment of my career. I got really emotional and nearly fainted on the pitch.
I wish I had gone to Cannes with a film, but I had gone there for L'Oreal Pakistan. I cannot tell you the people that I was around, from Helen Mirren to Jane Fonda. It was a proud moment on the red carpet when they announced my name and said 'Mahira Khan from Pakistan.'
In terms of finding that first international recognition of my work, coming back to Cannes is such a milestone in my life because it began actually with 'Devdas'.
One of the most important milestones we'll all hit along the way is the moment when we finally own our unique point of view and realize how priceless it is.
Once a film is selected at Cannes, the crossover becomes very easy, thanks to the prestige and dignity it gains at Cannes.
I've been to several international film festivals, including those in Locarno, Switzerland; Dubai; Russia; Berlin; Cannes; Bangkok; and Hong Kong.
The U.N. and other international bodies, along with wealthier nations, could manage the unavoidable migration from poorer countries if there were greater focus on stopping the larger chaos created by leaders who finance and support terrorism in the name of Islam.
The Cannes Film Festival is the biggest, most prestigious film festival in the world. This is where filmmakers are discovered, where futures are made, and the most important films premiered.
You can't just plan a moment when things get back on track, just as you can't plan the moment you lose your way in the first place. But standing there alone on the landing, I thought of Grandma Halley and how she'd held me close against her lap as we watched the sky together. I'd always thought I couldn't remember, but suddenly in that moment, I closed my eyes and saw the comet, finally, brilliant and impossible, stretching above me across the sky.
I watch the Cannes awards ceremony because I relate more to the films that are competing in Cannes than the ones competing for the Oscars.
I love independent films because I love to help, I love to assist, I love to pass along knowledge or experience to young filmmakers because usually, that's what they are. They're young filmmakers who are trying to either just simply tell their stories or trying to break into show business, and this is their calling card. But either way, I just really respect young filmmakers who are trying to tell a story that means something to them.
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