A Quote by Vilmos Zsigmond

You used to feed a piece of celluloid into an editor. [Digital] is not expensive and that is an advantage, but I must say that I don't love it. — © Vilmos Zsigmond
You used to feed a piece of celluloid into an editor. [Digital] is not expensive and that is an advantage, but I must say that I don't love it.
Using film was so much easier than the digital technology of today. But digital is still at the beginning of what it can be and they'll be fixing all those problems. It's just too complicated - negatives, tinting, flashing - it's a whole new system that takes a lot of time. Of course, it's not as physical. Even the editing. You used to feed a piece of celluloid into an editor. [Digital] is not expensive and that is an advantage, but I must say that I don't love it.
Otherwise [digital revolution] hasn't changed my way of filmmaking, I'm not nostalgic in postulating we should still make films on celluloid. I love celluloid but I don't need to continue on celluloid.
I love cooking for the sake of understanding how people before me used to feed themselves, used to feed their families.
The most used piece of kit in my kitchen is my saucepan. I use it every morning to cook my porridge in. The least used piece of equipment? I'd say a food mixer. I've never used it, I don't really know what they're for.
One of the good things is the relationship between director and editor used to be more contentious. Studios used to leave directors alone more during the post production process and now they're clamoring to get in. So, the director and the editor end up teaming up sort of against the studio to fight what they're doing and you lose the creative tension that you used to have between an editor and a director.
It doesn't matter whether you shoot on celluloid or on digital, you better make a good film.
The most expensive habit in the world is celluloid, not heroin, and I need a fix every few years.
I'd like to own a movie camera - a proper one, with film, not a digital thing. Celluloid has more character.
I bought two sculptures of two baboons called Lord and Lady Muck on an antique piece of furniture from an art exhibition, and it was quite expensive. It was very expensive, actually - way too expensive.
Digital is great; I see the benefits and beauty in both formats. But it doesn't give you that organic quality that celluloid brings.
Digital is expensive, from the computers to the professional software to the technicians, but digital helps me to create more beautiful images in less time.
The movies are celluloid hemorrhoids. No, worse: They're celluloid Bon Jovi.
I believe the digital world presents tremendous opportunities for the producers who understand it, and I am launching a digital production company, iMan Productions, to take advantage of this opportunity.
It's the rule of the wilds. You must be bigger, and stronger, and tougher. A coldness radiates through me, a solid wall that is growing, piece by piece, in my chest. He doesn't love me. He never loved me. It was all a lie. "The old Lena is dead." I say, and then push past him. Each step is more difficult than the last; the heaviness fills me and turns my limbs to stone. You must hurt or be hurt.
Which editor? I can't think of one editor I worked with as an editor. The various companies did have editors but we always acted as our own editor, so the question has no answer.
People with intelligence must use their intelligence, people with eyes must use their eyes, people with the capacity to love have the impulse to love and the need to love in order to feel healthy. Capacities clamor to be used, and cease their clamor only when they are used sufficiently. That is to say, capacities are needs, and therefore are intrinsic values as well.
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