A Quote by Vincente Minnelli
I allow an area for improvisation because the chemical things actors bring to stories make it not work.
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I would make a huge distinction between theater improvisation and film improvisation. There isn't much improvisation in film - there's virtually none. The people that theoretically could be good at this in a theater situation don't necessarily do this in a film in a way that will work, because it's much broader on a stage. But in a movie, it has to be real, and the characters have to look entirely real because it's being done as a faux documentary, so there are even fewer actors that can do that on film.
I like playing guys where it's as important what they're thinking as what they're saying. Those are the people I like playing, and the actor that I strive to be. I like actors who work in that area and I like parts that allow me to work in that area.
Our soldiers in another area were attacked chemically. Our soldiers - they went to the hospital as casualties because of chemical weapons, but in the area where they said the government used chemical weapons, we only had video and we only have pictures and allegations. We're not there ; our forces, our police, our institutions don't exist there. How can you talk about what happened if you don't have evidence ?
My ambition was to bring to bear on medicine a chemical approach. I did that by chemical manipulation of viruses and chemical ways of thinking in biomedical research.
They were looking for actors - real actors - who could play instruments. There was a lot of improvisation and scene work involved in addition to the music. The auditions went on for a long time.
I guess I say this for younger actors out there: you have to be brave, and you have to be ready to fail, and that's the only way you can be unique. So when a director is confident enough in what they're doing, and they allow their actors to be brave and bring in stuff, the more likely it's going to work out okay.
There's a lot of great writing, and characters, and stories being told in television nowadays. And much more than there used to be. The opportunities to tell stories, because of the opportunities to show content. And so it's drawing actors from cinema, movie actors, actors to where there's a lot of opportunities to where you can tell stories.
I work with men a lot, and there's a yin and a yang that goes on when you work one guy and one girl. And there's things that I bring that they don't bring and things they bring and I don't bring.
I'm very interested in the improvisation because one of the things I do is to help train scientists to communicate in a better way and more personal way when they're making a presentation, and I use improvisation to do that.
There were a lot of years that I was trying to do things that other people wanted me to do. But you have to follow your heart. Believe that you have a unique group of talents and abilities that are going to allow you to accomplish something in an area that interests you. Work at that and try to make some kind of contribution to your community.
There are various factors that make a show, so if the shows of other actors did not work, it's not their fault. I don't think it is fair to take names or bring down someone because their show didn't do well.
I am not a fan of improvisation, because it bores me. Working off a tight scenario gives you the confidence and ability to - why don't we change this a little bit and bring it back to the script. You always discover things while shooting.
Indian actors, because of the format of our stories, need to be good actors, and be able to perform emotional sequences, do a bit of comedy, dance and singing, action, because all of this forms just one film. In many ways I'd say there are greater demands on Indian actors than there are on Hollywood.
I would make a huge distinction between theater improvisation and film improvisation.
I'll say it, I love working with actors, I'm a fan of actors. They bring so much, and they can also break a movie, but when it works I give it all to the actors. I'll say it, I think that 'The Transporter' is great not because of my direction, it really is great because Jason Statham was great in it.
Improvisation helps because you get what's on the page and you make it a little more palatable to your tongue. And that's the beauty of creating and being spontaneous. That's the way I love to work.
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