A Quote by Vincente Minnelli

American films are terribly popular all over the world and American movie stars are terribly important. I don't know why. — © Vincente Minnelli
American films are terribly popular all over the world and American movie stars are terribly important. I don't know why.
You," he said, "are a terribly real thing in a terribly false world, and that, I believe, is why you are in so much pain.
My lasting impression of Truman Capote is that he was a terribly gentle, terribly sensitive, and terribly sad man.
I am terribly glad to be alive; and when I have wit enough to think about it, terribly proud to be a man and an American, with all the rights and privileges that those words connote; and most of all I am humble before the responsibilities that are also mine. For no right comes without a responsibility, and being born luckier than most of the world's millions, I am also born more obligated.
The 'low' quality of many American films, and of much American popular culture, induces many art lovers to support cultural protectionism. Few people wish to see the cultural diversity of the world disappear under a wave of American market dominance.
One of the great things about humor is, you can slip things past people with humor, you can use it as a sweetener. So you can actually tell them things, give them messages, get terribly, terribly serious and terribly, terribly dark, and because there are jokes in there, they'll go along with you, and they'll travel a lot further along with you than they would otherwise.
Just like people, stars can be important without being terribly bright.
The standardization of world culture, with local popular or traditional forms driven out or dumbed down to make way for American television, American music, food, clothes and films, has been seen by many as the very heart of globalization.
American films are the best films. This is a fact. Cinema is - along with Jazz - the great American art form. And cinema in a very real sense created the American identity that has been exported around the world.
When I first envisioned 'Funny Games' in the mid-1990s, it was my intention to have an American audience watch the movie. It is a reaction to a certain American cinema, its violence, its naivety, the way American cinema toys with human beings. In many American films, violence is made consumable.
What musical performers bring to straight characterizations is that physical flexibility that comes with knowing your body so well. A lot of actors are terribly awkward. Terribly. And I think it's so important for them, when they're young, to work on their physical selves.
I couldn't tell you why but now I know a story is in fact where you discover who you are, where a culture discovers what it is and I just think that this is a terribly important place to get into and that I would enjoy it.
This is what I would ask of the American people, and that is, and the media does not do this terribly often - put things in contact.
The human spy, in terms of the American espionage effort, had never been terribly pertinent.
I'm not particularly interested in working with movie stars. It depends on where you come from, I suppose. Why are you making films? The reason I want make films is because they convey ideas. I think some directors make films because they want to hang out with movie stars and be part of Hollywood. They want to be a star themselves.
The secret to life is to enjoy the pleasure of being terribly, terribly deceived.
I respond well to terribly beautiful, terribly brilliant Russian women.
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