A Quote by Vincente Minnelli
But I think musicals are going to have to deal with important subjects.
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I grew up going to musicals with my mom here in New York, going to Broadway. I used to be in musicals in high school.
I think [Iranian deal] was the worst deal I've ever seen negotiated. The deal that was made by the [Barack] Obama administration. I think it's a shame that we've had a deal like that and that we had to sign a deal like that and there was no reason to do it and if you're going to do it, have a good deal.
I just want to do musicals. it's hard enough just to do musicals. No matter how hard I try, I think it's only getting harder. Even If I try harder, there are problems that I just can't deal with. I don't know why it's become like this.
I don't think that my art isn't serious. I think the subjects are not serious, or my treatments of the subjects are not serious. But then, I'm also putting down subject, because like the abstract expressionists, I don't think the subject is important.
After doing 'Pitch Perfect,' I didn't expect to do other musicals, but then I was offered 'The Last Five Years' and 'Into the Woods,' which are two of the greatest pieces of theater that I can think of. So obviously I wasn't going to be like, 'Oh I'm trying to really stay away from musicals right now, so thanks, but I'll pass.'
We are going to impose our agenda on the coverage by dealing with issues and subjects that we choose to deal with.
I was fortunate enough to work at the peak of the great golden age of musicals. And then for awhile, I think they were being advanced in different ways. Andrew Lloyd-Webber brought the rock beat to musicals; people tried different things. The joy of musicals is that there is no perfect recipe; it is what you throw into it.
There are no large-scale original musicals being made right now. They're all Broadway adaptations and jukebox musicals or catalog musicals, and they just don't interest me as much.
I don't think I've got the stuff that Broadway musicals are made of. But there are definitely many musicals that I enjoy. 'Hair' and 'Rent' might be my favorites.
I always have the feeling that my subjects are the same - I'm just changing my point of view. I'm going to move a little bit this time and watch it a different way. But at the end, I think I'm always fascinated by the same things, except I will express them over and over again, with different words, with different colors, with different shapes. But strangely it will always be the same topics or subjects that are so important to me.
Privacy is important. Anybody who doesn't think that, they're crap. But I know I'm going to lose some of that and that's something I'll have to deal with.
I've auditioned for musicals a lot, but I think my voice didn't really match what they were looking for. I went to school for musical theater for a year and dropped out. Legit musicals are not quite my forte.
I think we have more athleticism, I think we have more pace and that's going to be important to deal with Ghana.
The most important fact about the subject of education is that there is no such thing. Education is not a subject and it does not deal in subjects. It is instead the transfer of a way of life.
I think poetry can help children deal with the other subjects on the curriculum by enabling them to see a subject in a new way.
While I would agree that I write about serious subjects, and that they're not necessarily the most pleasant subjects or even the most pleasant people, as a writer I just think about the humorous aspects of these things - that's what keeps me going when I'm writing a story.
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