A Quote by Vivek Agnihotri

I never had the guts to tell my parents that I wanted to be a filmmaker. I had to take a very long route to finally arrive here. — © Vivek Agnihotri
I never had the guts to tell my parents that I wanted to be a filmmaker. I had to take a very long route to finally arrive here.
A very long time ago, Grandmother had wanted to tell about all the things they did, but no one had bothered to ask. And now she had lost the urge.
Alejandro Amenábar is a very interesting filmmaker. I had really liked The Others, which was a movie he made with Nicole Kidman a few years ago. He made a very compelling case about how much he wanted me to be in this movie. Whenever a really passionate, talented filmmaker seems to have an interest in me, I take it very seriously because I like to work.
It was a dream to arrive at Liverpool but I never wanted to just settle for what I had achieved. I wanted more.
I've had a long association with the theater over the years but I had never produced a play and it was something that I'd always wanted to do.The movies moved away from dramas, and I think that I'm very excited by the opportunity to take smart writing that takes risks and see it on stage. It's exciting to see that engagement between the audience and the playwright.
If you wanted to pursue some kind of artistic pursuit and you had another career, then you would definitely fall back on it because it would take so long. I never believed I could do two things at once. The jobs I had were minimum wage jobs that you wouldn't want to pursue for too long, or that couldn't really take over your life.
I recognized him then; that is, I finally comprehended what I had known but had never been able to formulate: he had always been complete. He had finished the work of becoming himself, long before any of us could even imagine such a feat was possible.
In the end, auditioning was a big deal. It was a long trip for us. I had to take off school and my parents had to take off work. In the end, it wasn't very fruitful. I think it was just before high school, I decided this wasn't much fun anymore so that was it.
My parents came from very humble families. My grandfather had a construction business coming from farmland, and my grandmother could never read or write. We were very spoiled. We had a nice house - and then, all of a sudden, we had nothing.
I had been doing all my school plays, elementary school, middle school, and high school, and then summer. I'd wanted to act for a long time, and I thought I was going to go to college and do theater, go that route. But 'Superbad' kind of fell on my lap. I was very, very lucky for that.
My parents never had to tell me about the birds and the bees, you know? It was very out in the open.
I had a clear vision of myself winning the Mr. Universe contest. It was a very spiritual thing, in a way, because I had such faith in the route, the path, that there was never a question in my mind that I would make it.
People have always had this craving to have someone tell them the future. Long ago, kings would hire people to read sheep guts. There's always been a market for people who pretend to know the future. Listening to today's forecasters is just as crazy as when the king hired the guy to look at the sheep guts.
I wanted to say sorry, I wanted to tell her I could not forget the roundup, the camp, Michel's death, and the direct train to Auschwitz that had taken her parents away forever. Sorry for what? he had retaliated, why should I, an American, feel sorry, hadn't my fellow countrymen freed France in June 1944? I had nothing to be sorry for, he laughed. I had looked at him straight in the eyes. Sorry for not knowing. Sorry for being forty-five years old and not knowing.
I never intended to be a documentary filmmaker. I think I became a documentary filmmaker because I had trouble writing, and I had trouble finishing things.
I wanted to be an actor ever since I was five. My grandparents - my mom's parents in New York - were stage actors. I think indirectly I wanted to do it because of them. My grandfather would tell me stories about Tennessee Williams and actors he worked with in New York. He had such a respect for acting and such a love for storytelling about that world. I grew up hearing him tell tales of it.They were never encouraging me or discouraging me to take part. They were always feeding me with theater.
I had wanted to be a writer for a very long time, and I had started a lot of books and failed to finish them. I had this terrible pattern of beginning manuscripts and then just losing steam, and I had begun to believe that I just didn't have it in me.
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