A Quote by Vivek Agnihotri
It is very difficult to convince producers about a script without having the backing of a star.
Related Quotes
It feels very, very good to make a film freely, to work without having to wait years for script approval, without looking over your shoulder.
The song "My Way" is a very remarkable song. It is also difficult to sing because you've got to convince people that what you're singing about is the truth. It's a man who is very proud of having achieved everything that he's achieved his way.
The song 'My Way' is a very remarkable song. It is also difficult to sing because you've got to convince people that what you're singing about is the truth. It's a man who is very proud of having achieved everything that he's achieved his way.
The popular image that Hollywood is ruined by difficult prima donna actors is nonsense. They're certainly very nice to directors. I can't say the same about producers, who I found difficult, paranoid, and certifiably insane, mostly.
If the United States marches into Iraq without the backing of the United Nations, that will be done entirely without the backing of the American people.
It was not easy to convince someone to put their hard-earned money into my work. But if we have the talent and confidence and if the producers are confident of your work, it is not difficult to get a producer.
Clearly, 9/11 would have to be some of the best work that I've done because I was working without a template, and that was very difficult. Having nearly been victimized by the north tower, it was difficult to remain composed and be informative.
American music has become really heavily stylised and focused on production. With producers like the Neptunes and Timbaland, it's so much about the backing track rather than the song.
The most difficult thing about living as a writer is precisely 'having to write.' Pretending to be a writer is easy. Living freely, reading many books, going on frequent trips, cultivating minor eccentricities... but genuinely being a writer is difficult, because you have to write something that will convince both yourself and readers.
Everybody's trying to hold onto some shred of dignity in the process of it all, and, at the same time, never talking about how they don't have the power. No one has the power. So, you know, producers - we always think, "Well, producers are very powerful," but producers don't really have the power.
Sometimes you get the luxury of having a script for a really long time, and you can get to talk with the director or the producers, and evolve with the role.
I think the most important thing is to, without belligerence, stand up for what want. Argue compellingly if someone tries to change your script. Yeah, legally they can if they want to. But rather than give up, as some of the writers do, and just wail about how your script got rewritten, it's much more difficult - but well within the realm of possibility - to argue very sincerely, calmly, and reasonably from your point of view, such that the director or the producer might decide, "All right, let's do it that way."
It's not about the script: it's about who the director is and who the other people in the cast are. Because you can look at a great script and execute it in a very sophomoric way, and you can look at an OK script, and you can execute it in a very sophisticated way and come out with something really good.
I think producers are more interested in backing concepts than directors and writers. I don't think that's the right way of making a decision about whether you're going to back a film or not.
It's quite difficult to write about female friendship without it seeming to be a very niche subject. It's a difficult balance.
Because', she said, 'your problems are not real problems. You're dating two beautiful girls at once. Think about it. That's like...having rock-star problems.' 'Having rock-star problems may be the closest I ever get to being an actual rock star.
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