A Quote by Vivek Agnihotri

I knew 'Hate Story' would work. I had expected a great opening but the fact that it has completed 50 days at the box office is an overwhelming feeling. — © Vivek Agnihotri
I knew 'Hate Story' would work. I had expected a great opening but the fact that it has completed 50 days at the box office is an overwhelming feeling.
TMOK' is a family film, and everyone would like to watch the film. I'll be very happy even if I get 50 to 65 per cent of the box-office opening that 'Ra.One' gets.
Why has everything got to be about feelings these days? In the old days, no one knew what anyone was feeling and, what's more, they weren't expected to.
Jay-Z is more naturally gifted. He didn't depend as much as 50 did on his personal story. Jay-Z has a great story, he came from a pretty rough background. But 50's early success was so much fueled on the story and where he came from. With Jay-Z, I feel he has a more natural gift for language and for music itself. 50 really had to study and work at it much harder.
I hate how box-office failures are blamed on an actress, yet I don't see a box-office failure blamed on men.
The press still thinks [global warming] is controversial. So they find the 1% of the scientists and put them up as if they're 50% of the research results. You in the public would have no idea that this is basically a done deal and that we're on to other problems, because the journalists are trying to give it a 50/50 story. It's not a 50/50 story. It's not. Period.
Distances and days existed in themselves then; they all had a story. They were not barriers. If a person wanted to get to the moon, there is a way; it all depended on whether you knew the directions, on whether you knew the story of how others before you had gone. He had believed in the stories for a long time, until the teachers at Indian school taught him not to believe in that kind of "nonsense". But they had been wrong.
I was slightly disheartened when three of my films didn't work at the box-office. But the silver lining is that people did appreciate my work in those films. Had my performance gone unnoticed, I would've been in big trouble then.
I hate how box office failures are blamed on an actress, yet I don’t see a box office failure blamed on men. I think a lot of the time in films, men get roles where they create their own destiny and women are just tools, supporters for that. I guess it’s because we live in a patriarchal society, where feminism is a dirty word.
I knew very little or nothing about the Olympics. Having qualified was itself a big achievement for me, and then being there was quite overwhelming. Although I lost in the opening round, but the fact that I fought well was enough for me to take away from Athens.
I didn't know box office was a thing you could possess but I don't have it. I go up for lovely roles and people with this nebulous thing called box office get them so there isn't much I can do about that unless you know where I can get some box-office myself!
The records - what little we know about Shakespeare, including the records of the plays in his playhouse - were often the story of how quickly they came off if they didn't work. They had to move on. They were absolutely led by box office.
I will tell you that we're all human beings, and we all care about what people think of us. But in general, their outlook is, "We're not looking at opening night numbers. We're not looking at opening night box office. We want this to be part of the reason you come to our service."
I knew I had to be in football, but I didn't know what that looked like. I made a pact with myself that I would stand up for that challenge. I had no idea how big that would be. There were no jobs for women in football, and my work was elsewhere, but I kept with my passion, and thankfully, it ended up opening up doors.
My father had not even completed high school when he started as an office boy working for the Metropolitan Life Insurance Company, and I am not sure that my mother completed high school.
I'd seen how 'Green Book' had been a box-office hit, but left pianist Don Shirley's family feeling betrayed because his life and relationships had been distorted.
While we have a very strong popular culture, the roots of American culture are very shallow, and we put emphasis on how a movie does as far as the box office goes. Many years ago, it would have been vulgar to print box - office grosses in the paper. Now The New York Times does it, and it's the big story for people interested in arts and entertainment on Monday. Which is why emphasis has shifted away from filmmakers and fallen on movie stars and business people.
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