A Quote by Vivek Agnihotri

I was busy in making a film called 'Buddha in a Traffic Jam' and it consumed two and half years. — © Vivek Agnihotri
I was busy in making a film called 'Buddha in a Traffic Jam' and it consumed two and half years.
I've been called a point guard, I've been called a traffic cop, I've been called a ringmaster, a lion tamer, whatever. And I guess the thing about the traffic cop is I'm more of a rogue traffic cop because a good traffic cop doesn't want any fender benders.
It's such a marathon making a film - two-and-a-half years, at least - and every day, you do something that in any other lifetime would be one of the highlights of your life.
When you factor in population growth, it's clear that the mobility model that we have today simply will not work tomorrow. Four billion clean cars on the road are still four billion cars, and a traffic jam with no emissions is still a traffic jam.
I often wonder when I make a film - I'm thinking of making a film of the Buddha - and I often wonder: If Buddha had all the elements that are given to a director - if he had music, if he had visuals, if he had a video camera - would we get Buddhism better?
When Michael Bay called me, I'd worked with him before on 'The Rock,' and he called me and said, 'Tony, I might have something for you.' I said, 'Okay, you haven't called me in ten years!' He said, 'I've been busy!' I said, 'I've been busy too Michael, glad we could make our schedules match!'
If I start a film of my own, then what I eliminate is acting in other people's movies. Because once I start, and I go raise the money, it's about two and a half or three years, and I can't stop. I have people hired. I can't say, 'Ooh there's a good part called 'Drive'; I'll see you in three months.'
It's good that they've seen it, but how can I be satisfied after working for two years making a film which I hope will make a difference, when the government sees the film and does nothing about it?
The next film I'm making is a horror film, and I'm making it with A24. It's a dark break-up movie that becomes a horror film, set in Sweden. That's all I can really say now. It's called 'Midsommar.' Everybody's been spelling it wrong. It's 'midsummer' in Swedish.
This may be the one clear truth of the so-called border issue: Put a poor country next to a rich one and watch which way the traffic flows. Add impediments, the traffic endeavors to flow around them. Eilimate disparity. the traffic stops.
People in the metros are busy making ends meet, but through my films, I like to give the reality of life a skip, and choose concepts which will give audiences a stress-free two-and-a-half hours.
I've done a number of things that get categories closed off in a way, so when I read 'The Long Walk' by Slavomir Rawicz and decided to do film, 'I thought, you know, this is going to be wonderful,' two and a half years, three years, whatever it was.
'Grey Gardens' consumed my life for over two and a half years. It really takes its toll on the family. I'm not there to tuck them in, help them with homework and eat dinner with them. When I work on a show, I only have about 20 minutes a day with my family.
Jam! I love my jam. I've just had a batch of it come through, I've been making it.
There's no traffic jam on the extra mile.
For many years, I have kept in my office an ink drawing of two smiling figures with their arms around each other: Jesus Christ and Gautama Buddha, with the caption: "Jesus and Buddha must be very good friends." They are not the same, but they are friends, not enemies, and they are not indifferent to one another.
The Bolsheviks could not have retained power for two and a half months, let alone two and a half years, without the most rigorous and truly iron discipline in our Party.
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