A Quote by Vivica A. Fox

When you do a film, you know you're shooting for 6 or 9 weeks, you've got your cast and crew. Overall, no one can just pull the plug and say, 'This isn't working.' There's just no security on television, especially for African Americans. It's a tough market.
People working in films are somewhat like gypsies: we move from set to set and spent weeks, sometimes even longer working while shooting a film. Right from the spot boys to the make-up guys and cast and crew, we become a kind of family.
I miss the cast and crew of 'Supernatural' immensely. I know it's a cliche to say your cast and crew are like your family, but it's really the case there.
I miss the cast and crew of Supernatural immensely. I know it's a cliche to say your cast and crew are like your family, but it's really the case there.
When I was shooting 'Mud,' every day was my favourite! I had so much fun on this film and loved working with all the cast and crew! It was a great experience.
My absolute favorite thing about working on 'Liv and Maddie' is my cast and crew. The people that I spend almost every hour of every day with. Your cast has great influence over the quality of your life, and I've been blessed with not just a cast, but a family.
I know, just from directing television, where you have a huge support system of producers and writers and a script supervisor - not just the cast but a crew of 100 people - there are, as a director, hundreds of questions that you have to answer every day.
I shoot very little film. If you just do coverage you're shooting any number of potential films instead of just one, and I was shooting just one specific film. Film is cheap but time is expensive.
I always say it's hard to cast an African-American film sometimes because those kinds of actors just aren't out there.
I did 50 takes on Robert Shaw assembling the Greener Gun on 'Jaws.' The shark wasn't working, so I just kept shooting to make the production report look like we were accomplishing something and to keep cast and crew from going crazy from boredom. It was a strategic indulgence.
I've got an iPod but I don't even use it. It's just that, you know, you've got to like plug it up to the computer. And then you've got to download songs. And put them in your playlist. I'd rather just get the CD and pop it in. I'm cool with the Discman. The Walkman.
If you are using a digital camera specifically for that reason you have in mind from the beginning, then yeah, it'll work. But like if you're just shooting a normal film and just kind of just shooting extra stuff because you can because you've got the memory space, it's a bit pointless.
With Courageous, it was the first film where we really began to pay our cast. Because the church owned the previous films and we started so small, with such small budgets, people were just volunteering on the cast and crew.
I enjoy working on a series and having a long stretch of time to get to know and connect with my cast and crew. It also gives me the ability to play a character over the span of countless hours of television.
I know an actor who would play one type of part but could never get cast as tough. Once he got cast as tough, as a cop, he only got offered cop roles. It's a funny business in that regard. It's all about perception.
You better be very convinced, very sure, before you pull your plug or someone else's plug, that you know what's on the other side of the gravestone.
I grew up in the '50s, a tough time for African Americans. I had friends whose fathers would openly say, 'Just bite your tongu;, don't cause any problems.' My father was not like that. Even in the toughest times racially, if somebody disrespected his family, they were in trouble.
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