A Quote by Vogue Williams
I understand that it's hard seeing gorgeous girls on Instagram and wanting a body like theirs, but I think we need to be happier in our own bodies and understand that we're gorgeous just the way we are.
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I would rather be funny than gorgeous, absolutely. Because it's too hard to be gorgeous, you know. I could make a stab at gorgeous as long as I had something funny to say to get out of it.
I just had the idea that all the covergirls should be gorgeous, and not just interesting, not beautiful in an offbeat or exotic way, just plain yummy gorgeous.
If there are nine guys auditioning and they're all gorgeous, I have an advantage, because gorgeous guys are a dime a dozen. But if they need someone else - like a goofy guy with bad hair who is just okay - then that's me. And finally, the other 2 percent who audition are geniuses that I could never touch.
To begin to understand the gorgeous fever that is consciousness, we must try to understand the senses and what they can tell us about the ravishing world we have the privilege to inhabit.
I'll never, never understand why people think it's their business to comment on other people's bodies. I go to a spa in LA sometimes, a Korean day spa, and all the women there are nude. And I've never felt so in love with the human form as when I'm walking around and seeing all those bodies, thinking, Oh my god, we're all just built so differently. And every single body is beautiful. I will never understand that shame, and the reinforcement of that shame. It's crazy.
Jennifer Aniston is cute, but I wouldn't call her beautiful. I think that is why Cheryl Cole is so popular, because she is just so pretty and the public are starved of gorgeous people. When I was young, everybody on screen was gorgeous.
I think Kareena Kapoor is gorgeous. She is effortless. I have never seen her go overboard with her make-up or the way she dresses. Even off-screen or when travelling, she looks gorgeous.
Isn’t he gorgeous?” With those rolls, the wet-sounding grunts, bulbous wiggly tail, and smashed face—not to mention the fart the dog let out once he situated himself—he was gorgeous in a way that only a parent could appreciate.
That was actually Lloyd Phillips who was a Kiwi film producer in L.A. And it was about Gorgeous George, not Haystacks Calhoun. I was in a couple of Lloyd's films and got approached to write the story. People don't realize it, but Gorgeous George had this flamboyant, camp stage persona that had a tremendous influence on other celebrities, like Elton John, Liberace, Elvis Presley, and Mohammed Ali, who all wanted to establish their own outlandish stage personas. The project died because Gorgeous George's wife refused to give up the rights.
Before you go into what is essentially a competition, you have to have that confidence. You have to ask yourself, "Are they looking for a guy my height? My age? I've got a shot." And if there are nine guys auditioning and they're all gorgeous, I have an advantage, because gorgeous guys are a dime a dozen. But if they need someone else - like a goofy guy with bad hair who is just okay - then that's me. And finally, the other 2 percent who audition are geniuses that I could never touch.
I understand marketing. I understand licensing. I understand the business side of our business. That comes from paying attention and wanting to do better, not just as an in-ring performer but as someone who loves the industry.
It is the ordinary woman who knows something about love; the gorgeous ones are too busy being gorgeous.
We are different. We are equal in every way but our voices are important to each other and our need to want to listen to each other and try to understand, because sometimes we are so difficult to understand. Men to understand us, and we to understand men. And we don't. We don't connect the way we should.
I understand wanting to do your craft. I understand wanting to have a passion for your art and for your ability to be an actor, to be a singer, to be a dancer - that I understand. Wanting to be famous - I don't get that. But that's where we're living right now.
I think Memento movie was hard because people didn't get it, they just didn't understand it. Not from the stage when we read the script and liked it. It's sort of a famous story now how we finished the movie and showed it to distributors and nobody wanted it. So it wasn't just they didn't get the script, they really didn't even understand the movie when it was done. But I think that was a particularly hard one. I don't think it was harder because we were girls, but I do think obviously there are particular challenges to working in a male-dominated industry.
It's hard when you get into an Instagram hole, because we live in such a Facetuned world. You see all these girls are in their bathing suits, and it's hard not to think, 'I wish I looked like that.' But you can only be your own personal best.
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