A Quote by W. Somerset Maugham
No one can write a best seller by trying to. He must write with complete sincerity; the clichés that make you laugh, the hackneyed characters, the well-worn situations, the commonplace story that excites your derision, seem neither hackneyed, well worn nor commonplace to him. ... The conclusion is obvious: you cannot write anything that will convince unless you are yourself convinced. The best seller sells because he writes with his heart's blood.
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Ask yourself, what makes my book so different? So interesting? Don’t write to be a best seller. Write for and from your heart, not your wallet. Write something you want to be remembered by.
No one can write a best-seller by taking thought. The slightest touch of insincerity blurs its appeal. The writer who keeps his tongue in his cheek, who knows that he is writing for fools and that, therefore, he had better write like a fool, makes a respectable living out of serials and novelettes; but he will never make the vast, the blaring, half a million success. That comes of blended sincerity and vitality.
I'm astounded by people who take eighteen years to write something. That's how long it took that guy to write Madame Bovary, and was that ever on the best-seller list?
Loving your subject, you will write about it with the spontaneity and enthusiasm that will transmit itself to your reader. Loving your reader, you will respect him and want to please him. You will not write down to him. You will take infinite pains with your work. You will write well. And if you write well, you will get published.
The best advice is not to write what you know, it's to write what you like. Write the kind of story you like best - write the story you want to read. The same principle applies to your life and your career.
Only a person with a Best Seller mind can write Best Sellers.
My best days do seem like a distillation of all that was best about school. Write a story! Paint a picture! Write a poem! Make a print!
It was like a dream come true for me. When you write the book, it's still intimate. It might have been a best-seller but it's still my story, as I wrote it. The moment we or they make a movie, it's not my story anymore. There's a lot of letting go involved in the process.
Must you write complete sentences each time, every time? Perish the thought. If your work consists only of fragments and floating clauses, the Grammar Police aren't going to come and take you away. Even William Strunk, that Mussolini of rhetoric, recognized the delicious pliability of language. "It is an old observation," he writes, "that the best writers sometimes disregard the rules of rhetoric." Yet he goes on to add this thought, which I urge you to consider: "Unless he is certain of doing well, [the writer] will probably do best to follow the rules."
You cannot write well or much (and I venture the opinion that you cannot write well unless you write much) unless you form a habit.
To me to write well is to battle stereotypes. To write well is to create three-dimensional characters that seem human.
If a writer is so cautious that he never writes anything that cannot be criticized, he will never be able to write anything that can be read. If you want to help other people you have got to make up your mind to write things that some men will condemn.
A best-seller was a book which somehow sold well because it was selling well.
In the twentieth century our highest praise is to call the Bible 'The World's Best Seller.' And it has come to be more and more difficult to say whether we think it is a best seller because it is great, or vice versa.
Too many people write books because they want to be a New York Times best-seller. They want the glory and the fame.
It's possible, in a poem or short story, to write about commonplace things and objects using commonplace but precise language, and to endow those things—a chair, a window curtain, a fork, a stone, a woman's earring—with immense, even startling power.
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