A Quote by Wade Eastwood
That's filming. You pitch up, give your all, and see what the outcome is.
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Surrender is not that you should give up your family, give up your children, or give up your houses and homes and your properties. Surrendering is here: give up your ego to begin with and then give up your conditionings.
When you're facing a different guy every at-bat, he's coming at you with his best stuff. There's no warm-up; there's no 'see a pitch.' You've got to be locked in from the very first pitch... The biggest thing is do your homework before the game starts.
Give me Your eyes for just one second, Give me Your eyes so I can see, Everything that I keep missing, Give me Your love for humanity, Give me Your arms for the broken-hearted, The ones that are far beyond my reach, Give me Your heart for the ones forgotten, Give me Your eyes so I can see
God is at work in all the circumstances of your life to bring out the good for you, even if you had never heard of Romans 8:28. His work is not dependent upon your faith. But the comfort and joy that statement is intended to give you is dependent upon your believing it, upon your trusting in Him who is at work, even though you cannot see the outcome of that work.
The real Pogba is the one you see every time. You know, when I'm on the pitch, I cannot act. I'm not an actor. So when I'm in the pitch, I like to joke and laugh, and outside the pitch, I'm the same. For me, I'm normal. I come and play football. I do what I love.
I go to the gym and work through a routine. But if you see someone with a personal trainer, you know they do 10 times more than you do. You give up your sense of identity. If you watch 'The Biggest Loser,' you see people give up their identity to become something else.
Often, just explicitly acknowledging how the other side must see things can help them open up to see your side and can help both parties achieve a fair and constructive outcome.
I went from basically filming in my bedroom by myself, filming some funny videos, and then overnight, I switched into filming in some studios and some warehouses and family homes. I started filming with directors and producers and editors, and there were so many people in the room, so it was definitely weird.
There is anxiety, but it comes after you've finished filming because it's out of your hands; people are editing it, they're cutting it, marketing it. And it's... part your career sort of rides on that. But when you're actually filming it's a team thing and it really feels good there for me.
People judge too much by results. I'm just the opposite. I care about more than results. I'd rather make a good pitch and give up a bloop single than make a bad pitch and get an out.
I'm star-struck when I see Paul Scholes because you never see him. On the pitch you can't catch him. Off the pitch he disappears.
In order to acquire anything in the physical universe, you have to relinquish your attachment to it. This doesn't mean you give up your intention to create your desire...and you don't give up the desire. You give up your attachment to the result.
You could not give up a human heart as you could give up drinking. The drink was yours, and you could give it up: but your lover’s soul was not your own: it was not at your disposal; you had a duty towards it.
Effectiveness comes from those qualitative things that give you the ability to network, communicate, and lead people toward an outcome they can't see.
Rigging is like Zen meditation. You must bend over the boat until your back is breaking, until your brain is filled with numbers and fractions of numbers, until you can accurately measure an oarlock's pitch without bothering to use the pitch meter. Only then will you see the way of eternal rigging happiness.
I don't want to think results, I don't want to think positions. I just want to come in, do my job, and we'll see where we end up. I think that's the best way to look at it, because then you start focusing on the outcome rather than focusing on the work that it takes to get to that outcome.
