A Quote by Walter Hill
All producers encourage you, whatever it is, to make it more-so. If you've got a joke, can it be funnier? If you've got an action sequence, can it be more exciting? That's the nature of being a producer.
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The more real it is, the funnier it is. The more awkward it is, the more people are stumbly, the funnier it is. I like a sharp joke, but it has to say something that someone would actually say.
The more producers I talked to, the more I got looked at like I was crazy for wanting to make a live-sounding album.
SoundCloud was my first break I guess. I got a little bit of a following.That whole bedroom producer genre was kind of kicking itself into gear, and SoundCloud was becoming more of a hub for producers at the time.
If you can make it sound exciting with a joke drum machine, you know you've got something.
I do have huge pressure in terms of making my animation, because a lot of audiences and producers are expecting me to make films with a lot of action. They all know that I'm very good at action scenes, but I tend to not use many, so they're all frustrated with me. But I do that intentionally. Yes, if I do a movie with a bunch of action, it's going to be a lot more successful than the types of movies I'm making right now. The producers often say, "Instead of using all these philosophical phrases, why don't you change this into an action scene?" But I intend to continue to make these movies.
I got to draw shapes. I really like to draw funky, geometric shapes. And I got to use just different fonts and make a joke of how feminine it was, but it didn't even have people in it. To me, it was so exciting and interesting to do that for a while.
If you make good music, people believe in you, but you have to have your websites poppin', you got to be on these blogs, you got to be at all these types of events. You got to be everywhere, and doing everything, and the more they see and hear you, the more chance you have at success.
Executive producers don't have to do anything. Nor do any kind of producers. They just sit around on deck chairs watching stuff, and if it gets cold, they leave. Actually I suppose as a producer you've got to be involved in helping out with solving problems.
Women tell things in more interesting ways. They live with more feeling. They observe themselves and their lives. Men are more impressed with action. For them, the sequence of events is more important.
A perfect movie is a different thing, but a funny movie is easy. I was really happy that I got everyone that I got. Everybody got to play to their strengths and was paired up in the right scenarios. It was very fortunate. It was exciting, the whole process. It makes more difficulty in editing 'cause there's more footage, but the guy I had handle it was a documentarian editor for a long time, so it was very useful.
We've just got to keep going. More. More work, more action, more results.
For a producer, you want to be in L.A. You want to be close to the action, and in L.A. there are always singers, artists, songwriters, collaborators and other producers. It's easy to get access to all that, which gives you more opportunity to work records.
I can't predict if I will see a woman president, but I think I may well because, again, Hillary Clinton got more votes probably than any other Democratic candidate ever, except for Obama. But she got more votes than Trump and she got more votes than Richard Nixon got when he won the election, more votes than John Kennedy got when he won.
Being a producer and a star of the play was a lot more challenging and difficult than I ever anticipated, but so rewarding. I got to be involved with the writing, the casting.
But, in addition, there is, all through the tragedy, a constant alternation of rises and falls in this tension or in the emotional pitch of the work, a regular sequence of more exciting and less exciting sections.
In the sometimes ridiculous action scenarios you're laughing out loud, and so the more committed and in fact the more highbrow the music is, the funnier it is.
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