A Quote by Walter Kirn
There are two different forms of storytelling: Novels tend to come from the inside of a character, and movies tend to look at them from the outside in relation to others in their world.
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Gratitude is a mark of a noble soul and a refined character. We like to be around those who are grateful. They tend to brighten all around them. They make others feel better about themselves. They tend to be more humble, more joyful, more likable.
So, in some ways, the political songs tend to be a bit more like reportage, whereas the love songs tend to be like novels, you can pick them up off the shelf and go into them any time.
As a screenwriter I'm often writing in genres where there have been thousands of movies; whereas when I direct movies they tend to be in between genres. They tend to have a little bit of a genre to them, but they're really about the people, and they're people we haven't met before.
We all tend to go to extremes; some rely only on their own preparation and look for nothing more; others, as I say, tend to despise preparation and trust to the unction, the anointing and the inspiration of the Spirit alone. But there must be no "either/or" here; it is always "both/and." These two things must go together.
Reporters tend to find in others what they are suited to find, so there is a whole school of reporting where they are cynical about the world, and everything reinforces that. Whereas I tend to be optimistic and be amused by people and like them, even rather bad people.
Movies and novels, the two things that informed and taught me the most, are forms of escapism. I thought that was how life could look if you wanted it to.
Cell phones tend to bring us more inside of our lives whereas movies offer a chance to escape, so there are two competing forces.
If you look at 'Coraline' and you look at 'ParaNorman' certainly you can tell that there are threads of the same DNA between those two movies, but they're two very different kinds of movies. They look different, they feel different, they are very different kinds of movies.
I tend to think that we are all pretty much alike. We all feel despair. We all have problems with relationships. We all become afraid. We all look at others and think these other people are more fortunate than us. Certainly the details of our life are unique. Spending time thinking of how I am different from someone else, however, does not tend to be very productive.
When movies tend to start to preach to me, I tend to shut them off, whether I agree with the message or not. I don't think the job of art is to preach, I think it's to ask questions and make people aware of differences and different ways of looking at things. That's what I want to do, anyway. Whether I'm successful or not, that's up to history.
A person who suffers from a character disorder frequently has significant behavioral or emotional problems that will almost certainly spell disaster for any marital relationships. One of the most difficult aspects of identifying people with character disorders is that they tend to be unusually charming. People with these kinds of disorders tend to lie, cheat, exaggerate, and take advantage of others.
We have no longer an outside and an inside as two separate things. Now the outside may come inside and the inside may and does go outside. They are of each other. Form and function thus become one in design and execution if the nature of materials and method and purpose are all in unison.
In every particular state of the world, those nations which are strongest tend to prevail over the others; and in certain marked peculiarities the strongest tend to be the best.
My novels tend to come about from a fusion of two big ideas, creating a critical mass that then fissions, throwing off hundreds of other particles, riffs, tropes and characters.
All of us tend to look at photographs as if we are simply gazing through a two-dimensional window onto some outside world. This is almost a perceptual necessity; in order to see what the photograph is of, we must first repress our consciousness of what the photograph is.
Movies that tend to be converted or tend to be 3D in a late decision are not effective.
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