A Quote by Werner Herzog
It seems odd, but people who see my films normally take them in in a deeper way than you would actually watch a film, let's say The Terminator or whatever.
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It is something more fleeting than what you normally see. People might somehow take it into their own dreams, into their own life, in a way. I hear it more recently; people are telling me that when they leave the theater and see one of my films, they are not alone anymore. It's probably more that kind of feeling. If I managed to do a film like that, everything is fine.
Some patients are still having insomnia, but it's seems worse to them than actually it is. So, if they say they're sleep deprived, they haven't slept at all in three days; if we actually take them into a lab, most of the time we actually do see they're sleeping on and off here and there.
I watch for emergent technologies and pay attention to what people say they'll be good for, then see what we actually use them for. It never occurred to me that a tiny telephone with a wireless transceiver would do whatever it is that it's done to us.
Normally, people would spend thousands to watch a trashy film in a multiplex, but not shell out a few bucks to watch a play. But in bigger cities, we are more likely to find a bigger section of people who would want to watch a play.
I don't study films particularly. I plan to direct, but I'm not watching film - I watch the entire film to see how the story goes, but I don't say, 'Oh, so he does a slow pan here, or he pulls here, watch the crane shot, or look at the composition,' because it's got to be my eye.
I only would say yes to a film, do a film or any project, if I think I would watch it. Whether the audience will like it, not like it, how will they take to the film, these are not things in your control and you shouldn't bother about them.
Well that's the point: People don't normally take away things from films anymore. You go and see a $100 million film, half an hour later, your biggest concern is what are you going to be eating.
I don't watch my own past films: when I watch them, I find they don't work very well, because I have changed. If I continue to make films, in fact, it is because I always want to repair my films. My inner rhythm has changed; I have changed. I have changed my way to film.
Honestly speaking, I don't like my films. When I watch them, I see a lot of scope for improvement, so if I were to see any of my films, like 'Dhoom,' I might say... 'It would have been better if...' or 'had it been...' and this is all about evolving.
Definitely my generation and beyond grew up in theaters and when you make a film you think of the theatrical experience. You think of that big screen in the darkened theater with a lot of people, so that's always the thought behind it. If that's the case, it's nice if that's available. That's great, but I don't really mind if they're watching films on a plane. I don't mind. Anybody who just wants to watch a movie, I can't complain. If that's the way they're going to watch them, that's the way they watch them. Who am I to judge?
In film, normally what happens is that not many people work more than once. Normally, it breaks couples. It doesn't make them.
I do find violence entertaining, but that doesn't make me a bad person. I grew up watching all these action films when I was a kid. My dad would bring back 'Rambo' and whatever, and we'd watch it together. It's not affected me in any way other than I just appreciate the entertainment value of violence on film.
In an odd way, my parents were proud of me. When they saw me do stand-up, I'd see them looking around the room and watch them taking in the people laughing. On some level, that comforted them.
Film fests are an opportunity to see different kinds of films that you usually don't get to watch. When I'm part of a jury, then I get to judge films, but otherwise I attend festivals to watch two or three films a day and network with a gathering of cinema lovers from all over.
Horror films and genre films are interesting, because I always look for a deeper meaning or a deeper theme in the film.
I can't complain about anything. It's like saying, "I don't like talkies." Time marches on and I don't care how people watch my movies as long as they see them. I don't care if they're on their phone. Believe me, if you ever want to watch my early films they would look a lot better on your phone than they would on a movie screen. The smaller the better.
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