A Quote by Werner Herzog
It's funny how in the long time of me working in various countries and various situations that there is this kind of idea out in the media that I am a daredevil and that I risk the lives of everyone around me, but nobody ever gets hurt on my shoot. Some crew members sometimes, but the actors are OK.
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I have had the occasion to meet child actors from the '60s and '70s at various functions, and everyone's gone on to various different lives - they're real-estate agents or surfers.
People love hearing Trump tell a media person, "You're stupid, what kind of question is that? You have no idea what you're talking about, let me tell you what -" They love that. Nobody ever talks back to 'em. Nobody ever gets on their case.
I'm from Louisville, Kentucky, and nobody gets out of there. So I'm like, how am I gonna get out of there? Nobody else can. So it took some time. The struggle made me realize I didn't really want to be 'normal' anymore.
The one eternal religion is applied to the opinions of various minds and various races. There never was my religion or yours, my national religion or your national religion; there never existed many religions, there is only the one. One infinite religion existed all through eternity and will ever exist, and this religion is expressing itself in various countries in various ways.
I'm the empty stage where various actors act out various plays.
I think people are largely proud of being musically on the risk. Any time you talk to someone about music, I feel like everyone is kind of always underlining just, you know, how voracious their appetites for various things are.
When I started out, at 19, I was told, by the media and the film industry to do a certain kind of films and work with certain kind of stars. Coming from a non-filmi background, I did not know how to go about it, as there were different people trying to push me in various directions.
When I was 14-15 years old I was able to earn a little money from time to time but I'm not complaining since, very soon I could provide a normal living. I was discovered also by other musicians and they asked me to work with them. Even in my early age several well-known artists asked for my services both on the stage and in the studio. This experience proved to be very useful, musicians showed me various musical situations and various music experiments.
Well I liked the mixture actually. It's really good fun to have throughout a shoot to move from something which is quite character based in certain scenes where there's very little action and you're just working with actors and I suppose I've had quite a lot of practice at that. This is more action than I've had a chance to do so that was fun for me too to go into the action then and have some really good crew working with me. And sometimes you get these scenes where they blend.
If people say harsh words to me though, I don't care. It's a risk to my life. The Taliban don't want us to be working, so they'll shoot us. And women who break their rules, they put acid on them. I said, if they shoot me, OK, but if they put acid on me, I will be alive as a dead body. I was always so afraid of that.
People have really different methods of working. Some people prepare tons and tons of material, literally on paper, and they will use as much of it as they can. Some people prepare various lines in their heads and various avenues to go. And some people show up literally going, "I know who I am and I know what the situation is, but I'm just going to see what comes out."
There's a constant flow of child actors. It's kind of funny to watch the new crew come through. I think, You poor little things. You're going to have to struggle for a long time.
Let me tell you something. I'm a funny girl, and I gave birth to what? Funny. I can't help it. It just is what it is, and my kids have been around my antics so long, it kind of rubs off a little bit. So when it comes to what you see, you only see what is really manifesting in our lives at the time.
I have heard stories of how the Malayali jury members trying to play down actors from our own state, stating various reasons.
I'm not saying that in order to be a great jazz musician you have to be a great classical pianist first. But I am saying that it makes things easier when you can get around the instrument, and you have some idea of how to approach the various hurdles.
There is an image of me in France that is a long stretch from who I really am. I read about this girl who lives in grand hotels and has affairs with American actors - I don't recognise this girl at all. Sometimes it makes me depressed. Sometimes it makes me laugh. Sometimes I think, 'Gosh, that sounds nice, I'd love to be that girl.'
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