A Quote by Werner Herzog
I know what I'm talking about and I've never been over budget, in 70 films.
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When you have a 12-minute debate over whether lipstick on a pig refers to a demeaning comment about the vice presidential candidate, you know we're not talking about health reform, we're not talking about energy policy, we're not talking about balancing the budget. And you know, it's fairly stupid.
If the budget that you're talking about isn't a good one, then it's better not to pass a budget. Most people in the country will never notice whether we pass a budget resolution or not.
I hope to be 70 and sitting at the table with journalists, talking about my films.
It's been very much in the blood since I started imagining films or shooting with 8mm when I was a kid. I made some films and thought about films, but then I went into writing. Becket is something that's definitely on the cards. We have to see where that fits in the schedule, because it's a big picture and I have a lot of writing obligations at the moment. I'm wary of anything with a budget over a certain amount.
Alternate between short films, long form films, with or without stars, small budget or big budget films. Basically a filmmaker needs to be flexible.
She [Hillary Clinton] knows the people well. I think there is - you know, also talking about breaking down barriers and talking about that, whether we`re talking about that in economic terms. I mean, she`s the only person who has been out there talking about white privilege and talking about sort of the intersectionality of some of these issues.
Everything that we [with Shindzo Abe] are talking about has come to us as a result of the events of 70 years ago. In some way or other, during these 70 years we have been involved in some kind of dialogue on the issue, and that includes the conclusion of a peace treaty.
The film business has changed hugely. You seem to spend about 30 per cent of the time producing the films and 70 per cent talking about it.
Films have been my only passion in life. I have always been proud of making films and will continue taking pride in all my films. I have never made a movie I have not believed in. However, though I love all my films, one tends to get attached to films that do well. But I do not have any regrets about making films that did not really do well at the box office.
The great thing about horror films is that they work on a low budget. The genre is the star. You don't need big movie stars, and I actually think a lot of times that the best horror films are the low budget contained ones.
In fact, I had never imagined that seven years after my ordeal, the #MeToo movement will start and that I will be talking about it all over again. This is nothing but karma. Dibakar has directed six films, even though I didn't get any films after I went public with my allegations.
I'd probably end up doing the same thing over and over. We're creatures of habit. We know what we know. With collaboration...and I'm not just talking about music, I'm talking about in life - if you're a good listener and you have your ears open, and to be a good collaborator you have to be able to listen, you can learn something from somebody else.
This is a wrong notion that I work in big budget films. Infact, usually low budget films are offered to me, they come and say it's a good story but they don't have the money.
We're sitting in here, and I'm supposed to be the franchise player, and we in here talking about practice. I mean, listen, we're talking about practice, not a game, not a game, not a game, we talking about practice. Not a game. Not, not... Not the game that I go out there and die for and play every game like it's my last. Not the game, but we're talking about practice, man. I mean, how silly is that?.. And we talking about practice. I know I supposed to be there. I know I'm supposed to lead by example... I know that... And I'm not... I'm not shoving it aside, you know, like it don't mean anything. I know it's important, I do. I honestly do... But we're talking about practice man. What are we talking about? Practice? We're talking about practice, man.
I'm not talking about Russia in my music. I've never been to Russia. I'm not talking about Africa, Switzerland, China. I'm talking about me being American and growing up in a crazy world and helping to reflect all different sides of life.
The difference between working on Asian and American films is in the producer and director; everyone has their own style. But, Hollywood has a lot more money; they can spend a lot on films, and time. In Europe, there's a small budget and thinking about commercial. Only budget and taste is different between there and Hollywood.
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