A Quote by Werner Herzog
With actors, normally I don't like to have any conversation about background and about motivations and all this.
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I love actors. Part of that is my theater background and being a writer who cares about performance. Actors have usually chosen their profession because they have a dream of doing it and they want to express something about the world. That's the same thing that I have with writing. Most of the good actors get into it for those reason, rather than for reasons of fame or fortune, or anything like that, and that's where I'm coming from, as a storyteller.
Cosmopolitans begin, I think, with a sense of one thing we all certainly share, which is our fallibility. Nobody has reason to be confident that they're right about everything. That's one of the motivations for conversation across differences. It's in my interest to converse with people who are wrong about different things from the ones I'm wrong about!
I have not made any suggestions about climate change. This is more about blending or shifting the conversation about the environment versus the economy. It's just such an old, outdated conversation.
There's not a lot of talking between actors - either between actors or between actors and directors. People think that they sit in rooms and talk about psychology and motivations. I don't think that happens much.
There's a misconception that actors with no background don't get any exposure from big production houses. I think people should start rethinking about it.
Initially, I was very skeptical about getting involved because I, much like many Americans, had preconceived notions about Stormy Daniels and her motivations and what she is all about.
The war is definitely in the background, only referred to in radio news blips and conversation. I think, ultimately, this film is about the choices these guys are faced with. In that way, I think this is a more personal story about their friendship, about the reaction that they have when they're essentially faced with death, to a certain degree.
I think women are deeply interested in a conversation around fertility. It's not a conversation just for one age group of women, a conversation if you're post 30 or post 35. This [is] conversation about reproduction, about taking your own power with you and deciding for yourself.
Odd that I couldn’t catch any of your dream,” Bones went on. “Normally your dreams are like background music to me.
Social is about engaging, it's about a conversation, it's about listening and then responding, it's an ongoing conversation with our fan base.
I don't really like actors. Actors are like terrible comedians with no punch lines. It's all about them. They talk about themselves all the time. They bore the sh - t out of you.
I don't require that the main guest [of StarTalk] have any science knowledge or background at all. It's just, I have a conversation with them, it's long and winding, and we find out what parts of what we learn about the person lend themselves to further scientific discussion with an expert who is brought into the studio. So that's how that comes together.
A lot of brands just push messages out on social media, but that's not what social is about. Social is about engaging. It's about a conversation. It's about listening and then responding. It's an ongoing conversation with our fan base.
It's very difficult to have a conversation about yourself when you're the granddaughter of Audrey Hepburn, as it was difficult for me to have a conversation about something without, 'What was she like? What was she really like?'
In the writing phase, normally I try not to envisage any particular actors because I like to let the characters sort of reveal themselves in that process.
I've been shocked by film actors - 25 and under - having such confidence and cockiness to rewrite a scene. My background is more about the director being in control. It's all about yielding. It's an oddly submissive relationship in which you're moulded, Pygmalion-style.
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