I can never bring myself to watch Mahesh's films. It's way too stressful for me. All his family members are eager to attend and enjoy the previews of his films like normal people. But I sit at home chewing my nails, praying, wondering if this one will be as big as the previous one, and so on.
Once the initial excitement wears off and it's time to sit down to write, the authors are usually still very eager, but the reality of doing the work can be a little daunting.
Look, it's very easy to sit here right now with some films in the bank that I like and think I have a shot and feel pretty cocky. But, you know, three years from now, I could very easily be saying, 'Paper or plastic?'
I have to tell everyone that when I finish a film and it goes out and is released, I never look at my films again. I don't like looking back. I don't even like talking about 'em! So I'm really digging back in my memory because I don't like to sit and look at my films again.
I'm also very proud to be a part of a trilogy of films that, if they do nothing else, allow people to check their problems at the door, sit down and have a good time.
I am very much a product of commercial cinema in Tollywood, and people ask me why I don't do masala films in Hindi. I am very eager to do them, but somehow I am perceived as a serious actress here.
I did four independent films during the break between 'Twilight' and 'New Moon.' I haven't even really had time to sit back and process it all. But when you do finally sit back and think about it, it's incredible.
Once the script is done, I put it aside for a month. I start thinking of all the films that have influenced me, which I have liked for different reasons, and not necessarily the look, but films that have moved me. Some very strange films came to mind.
I've been around a long time, and young men, if there is one thing I know, it is that the only way to kiss a girl for the first time is to look like you want to and intend do, and move in fast enough to seem eager but slow enough to give her a chance to say "So anyway ..." and look up as if she's trying to remember your name.
The experimental film scene was very much misogynistic as well. I don't know if you have read what little attention was given to the films of Joyce Wieland, who was the wife of Michael Snow. Michael was the "genius" and she was not. If you look at the films they're wonderful, but very different. Michael was very proud of the films too, so it was not coming from him. It was coming from the general environment. I think both Chantal Akerman and I shared that. We wanted to find a language, which was the language of women.
I'm not eager at all to present my life out there for public consumption. I like to do one or two films a year and then do what is absolutely obligatory in terms of promoting them. My life outside of films is vital to me.
I like films, but I can't sit still for very long.
If you can look at one of these waves and you don't believe that there's something greater than we are, then you've got some serious analyzing to do and you should go sit under a tree for a very long time.
Having such a diverse cast and crew is what makes the 'Fast & Furious' films so unique to all the other studio tent pole films that just have a very singular look to them.
American films look at films with a larger than life attitude while the French films look at life as it is.
When I watch films or tv that I've done, I get very restless and tend to not sit still.