A Quote by Whit Stillman
I love watching the romantic comedies of the late '50s and early '60s. I used to have a rule that if Tony Randall's in it, it can't be bad.
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When I first started drinking, everybody was doing it. That was before they discovered marijuana and all that. It was the late 50s, early 60s - it was the beginnings of the rock 'n' roll era. The main drink was like wine. And even that was a romantic throwback to something.
I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late '50s, early '60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism. I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late '50s, early '60s, the neo-realism lost its great energy and became comedy.
An era that I specifically like is sort of late '50s, early '60s. I guess mid '50s, too. I like these types of films that deal with post-WWII America and this more complex leading man that kind of emerges from that.
The video for 'Whatever' is kind of a documentary in a way. It's showing that love can last. Not just in your early 20s or your late 30s, but in your 50s, 60s and 70s. There's an awful myth out there that when you get married, love and lovemaking fade. It's not true.
I love French auto design of the early '50s, '60s, early '70s of Citorens, Renaults, and Peugeots. They're so unique.
It seems to me that romantic comedies used to be about falling in love, but in recent years they've really become just comedies where the love story is only there as a spine to hang the jokes on.
I feel that we are currently living in a world that is similar to late '50s, early '60s kind of world.
My father served as an Army doctor in West Germany in the late '50s and early '60s. As a result, he and my mother - both native southerners - were acutely aware of what had happened during the Holocaust.
My mom would always play me a lot of late-'50s, late-'60s rock.
My favorite movies are all romantic comedies. I love the romantic comedies. I'd still have to say Pretty Woman. I still think that it's one of the best ever.
I stopped doing romantic comedies. I just stopped. They're terrible. They're bad. They're not funny and so they shouldn't be a romantic comedy because most of the time they're not romantic. They shouldn't be called romantic comedy.
I was always a tomboy as a kid. I always had boyfriends. I was just a regular girl growing up in the late '50s and early '60s, but I was never really attracted to what the girls were attracted to: makeup, my appearance, homemaking.
Well, probably the best way to put it might be that at some time, not just in an instant, but over some period of time I became aware of the fact that I wanted to document examples like Kroger or Piggly Wiggly in the late '50s, early '60s.
I don't want to be typecast as a heroine who does a certain kind of cinema, which is why I experiment with the types of films that I do. But yes, I won't deny that romantic love stories or romantic comedies are what I enjoy doing the most, because as an audience those are the kind of films that I like watching.
I used to smoke marijuana. But I'll tell you something: I would only smoke it in the late evening. Oh, occasionally the early evening, but usually the late evening - or the mid-evening. Just the early evening, midevening and late evening. Occasionally, early afternoon, early mid-afternoon, or perhaps the late-midafternoon. Oh, sometimes the early-mid-late-early morning. . . But never at dusk!
I've always been drawn to the American style in the late '50s and '60s.
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