A Quote by Whit Stillman

I don't think there's anything cliche feminine about Jane Austen. And, anyway, her earliest champions were Sir Walter Scott and the Prince Regent. — © Whit Stillman
I don't think there's anything cliche feminine about Jane Austen. And, anyway, her earliest champions were Sir Walter Scott and the Prince Regent.
I once rented the Georgian town house that Jane Austen lived in down by the Holburne Museum - so I lived in Jane Austen's house, and slept in Jane Austen's bedroom. You can walk along these Georgian streets and it's like you're in a Jane Austen period drama.
I am a Jane Austenite, and therefore slightly imbecile about Jane Austen. My fatuous expression, and airs of personal immunity-how ill they sit on the face, say,of a Stevensonian! But Jane Austen is so different. She is my favourite author! I read and reread, the mouth open and the mind closed. Shut up in measureless content, I greet her by the name of most kind hostess, while criticism slumbers.
I actually didn't like Jane Austen. I was more into the Brontes. They were so wild and passionate. I thought there was something a bit tame about Austen.
I'm totally in love with Jane Austen and have always been in love with Jane Austen. I did my dissertation at university on black people in eighteenth-century Britain - so I'd love to do a Jane Austen-esque film but with black people.
Here was a woman about the year 1800 writing without hate, without bitterness, without fear, without protest, without preaching. That was how Shakespeare wrote, I thought, looking at Antony and Cleopatra; and when people compare Shakespeare and Jane Austen, they may mean that the minds of both had consumed all impediments; and for that reason we do not know Jane Austen and we do not know Shakespeare, and for that reason Jane Austen pervades every word that she wrote, and so does Shakespeare.
Jane Austen is the feminine Peter Pan of letters. She never grew up.
And I love Jane Austen's use of language too--the way she takes her time to develop a phrase and gives it room to grow, so that these clever, complex statements form slowly and then bloom in my mind. Beethoven does the same thing with his cadence and phrasing and structure. It's a fact: Jane Austen is musical. And so's Yeats. And Wordsworth. All the great writers are musical.
I've been fortunate in that I never actually read any Jane Austen until I was thirty, thus sparing myself several decades of the unhappiness of having no new Jane Austen novels to read.
She doesn't do the things heroines are supposed to. Which is rather Jane Austen's point - Fanny is her subversive heroine. She is gentle and self-doubting and utterly feminine; and given the right circumstances, she would defy an army.
Jane Austen wrote six of the most beloved novels in the English language, we are informed at the end of Becoming Jane, and so she did. The key word is beloved. Her admirers do not analyze her books so much as they just plain love them to pieces.
I think as far as the action genre goes, I like when it has a sense of humor. I'm a Jane Austen/Jane Eyre kind of girl.
One doesn't read Jane Austen; one re-reads Jane Austen.
It's sad when a woman writing fantasy in the United States in the 1970s has less actual feminist cred than Sir Walter Scott.
My breakthrough as a reader was when I discovered the European adventure story writers - Alexander Dumas, Robert Louis Stevenson, Sir Walter Scott, to name a few.
I think it's about as likely Jane Austen was gay as that she was found out to be a man.
Jane Austen was writing about boring people with desperately limited lives. We forget this because we've seen too many of her books on screen.
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