A Quote by Whit Stillman
The great thing for me is how Hitchcock uses guilt so well. He implicates the spectator in the character's field, and you really feel it, and there's incredible relief when it comes out right - if it does come out right.
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I've learned when to get out. I've never wasted too much time with the wrong person, and that's one thing I'm proud of. The longer you're with the wrong person, you could be completely overlooking or not having the chance to meet the right person. And if it doesn't feel right, it isn't right. How do you know if something feels right? I think the great defining factor for me is whether I want more. When they drive away, do I wish they would turn around at the end of the street and come back? Or am I fine that they're going home?
The key thing is, always put the right content on the right network, on the right platform, make it great, and then figure out how to monetize it.
Sometimes you don't really understand the characters you do. I don't need to. Most of the behavior is obscure and I don't mind that. On the contrary, it's a fuel for me, to find out who the character is. As the spectator is finding out, I find out about the character myself.
Obviously no parent does everything right. It's this weird thing that happens where you are striving to be as good as you can be so that they turn out well. And that requires that you be a really great, evolved, aware person in every moment. Which is pretty awesome. But it's also putting tremendous pressure on yourself--which is why women feel so guilty!
Not only was I really, really depressed when I was not out to the world, but I just finished my NBC series, and I didn't think it was right to come out during that when I was playing a male character.
When I'm following what a character does in a book I don't have to think about my own life. Where I am. Why I'm here. My moms and my brother and my old man. I can just think about the character's life and try and figure out what's gonna happen. Plus when you're in a group home you pretty much can't go anywhere, right? But when you read books you almost feel like you're out there in the world. Like you're going on this adventure right with the main character. At least, that's the way I do it. It's actually not that bad. Even if it is mad nerdy.
'My character wouldn't do that.' That was always my favorite thing people say: 'My character wouldn't do that.' I said, 'Well, it says right here in this script your character does that.'
I try to write every day. Sometimes the things come out well, and sometimes they don't. When they come out well you think, Wow, I must be really great; and when they come out poorly, you think you must be terrible, but the truth is that's how any process works.
Last year was a tough decision for me, to end my season so short. But it was the right decision for me, because right now I feel great. I can go out here and sprint full speed right now, but I'm just going to pace myself for April 5.
Guilt is also a way for us to express to others that we are a person of good conscience. 'I feel really guilty about getting drunk last night,' we say, when in actual fact we feel no guilt whatsoever or, at least, we could choose to feel no guilt. When people say to me, 'I drank too much last night,' I always reply, 'I drank exactly the right amount.
My childhood, I wouldn't say it was bad. It helped me grow up. I stayed out of trouble. My parents taught me what's wrong and right, and knowing that I had a little brother following me, I had to make sure I was doing the right thing so he knows what's right, too. I was in the house nine days out of 10. There wasn't nothing good outside for me.
There's so many great things that come with being successful. The one thing that is weird is trying to figure out whose intentions are in the right place, and who is really on your team.
Friends give me a hard time about the pants I'm wearing, which are made in China. Well, how do you find the right clothes? Or the right movie studio? The right people giving you checks? Good luck doing the right thing all the time.
Luck took me right out of myself - I read it in one gulp, and it never let me down. Sharp and surprising but always responsible, no tricks for tricks' sake; so satisfying, with its shifting and puzzles. So much fiction turns out to be diversion, in spite of fancy claims, and doesn't really look at anything. Well - this does.
My thinking was that today's spectator is so well-versed in film language that all theories about suspense, as argued by Dreyer and Hitchcock, on what makes you scared in cinema, can be ditched. It's the spectator, finally, who's going to construct the menace and the fear.
I was so worried that you wouldn’t want to know me once you found out.” I signed, relief flooding through me. “Are you kidding me?” Xavier reached out and curled a lock of my hair around his finger. “Surely I’ve got to be the luckiest guy in the world.” “How do you figure that?” “Isn’t it obvious? I’ve got my own little piece of Heaven right here.
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