A Quote by Whit Stillman

I really like working with people again and again, and I don't know why everyone doesn't do it. Because you already know them, and you know how good they are. — © Whit Stillman
I really like working with people again and again, and I don't know why everyone doesn't do it. Because you already know them, and you know how good they are.
I feel bad for people who have never been addicted to anything, because they're the real losers. You want to know why? Because they don't know what it's like to really want something - and then get it again and again and again.
People know what happened in California, and they know it can happen again and again. They know that no group has passed more ballot measures than we have. They know we have a focused strategy. They know we have a budget of $150 million a year. And they know we're ready for a fight.
These are two different exercises. One of them is, "You don't know and I know, so just shut up and listen," and the other one is, you're curious and you're learning, and I have a way where you can learn this so you'll know it as well. And when you know it, and know why you know it, then you don't have to reference me ever again because you take ownership of the knowledge, and you can then share it with someone else.
If you know people, it's so much more fun working with them because it's like your family is back together again.
I think Rihanna is very interesting. But those people, the singers especially, know how to handle themselves because they're in the limelight. That's why it has grown into something where the model has stepped back - and I don't know if it's coming forward again.
I don't know why they are all so eager to be remembered. What good will it do them? There are some things that should be forgotten by everyone, and never spoken of again.
The stressful thing about being an actor is, like, you have to kind of audition again and again and again, you know? You go in one time, and you go in again for a director and then again for producers and then again and again and again.
I like it when people come to see me again, but you end up playing to that person only. You know there's other people out there, but you also know that the person who came to see you again is there. You're like, "I hope he's happy again."
When I look at the directors that I really love, who really develop their films over time, they're almost always the ones who go back again and again and again at the same investigations. I think that when somebody has a theme they go after, it's fun to service that. It's like, "I know you now. I know what you go at." It helps you locate yourself a little bit quicker in their world.
If there ever is a need or if anyone's hurting, I'm the person they come to because they know what they're going to get. They know I'll pray for them. They know I'll encourage them. It's amazing that I get to be there for people. I'm sure I'll hear later on how God was working in it all, but for me, it's really about loving people well.
I don't know if Wimbledon's seen anything like it. I don't know if they will again. But it was just - it was electric. The Aussie crowd, I'm really proud of them, the way they conducted themselves. You know they're great losers, as well.
Why is it that people don't know what to say when something bad has happened to someone they know? Maybe because they think there are some magic words that will make everything all right again, only they don't know what the words are.
You're so connected to people and they all know how to get to you, and everyone knows who you are, so explicitly. They think they know you. It's like, 'You really think you know me? I don't know me! How do you know I'm not different around someone else?
He gives me a kiss that barely touches my lips – it means nothing or everything. After he’s gone, I think, Happy birthday to me. Jack says, ‘That was the guy?’ ‘That was him.’ Jake shakes his head. ‘What?’ ‘He’s not for you,’ he says. I say, ‘How do you know?’ but what I mean is, How do you know? ‘He’s like Ashley Wilkes,’ he says. ‘Any one of these guys is Rhett-ier than he is.’ Again, I ask my benignly inflected, ‘How do you know?’ ‘How do I know?’ he says, tackling me into a bear hug. ‘How do I know? I know, that’s how I know.
When people are described as difficult and have a reputation as difficult it's 99% of the time because they've been disappointed over and over again by people who don't really know what to do for them, and I know I'm going to make them happy and I can't wait to work with them.
I always look at stuff like 'Mohawk' this way: I don't know if I'll do it again, so I try to really enjoy what I'm doing at that time. So that's what I did on 'Mohawk,' and I don't know if I'll do anything like it again - but I would love to.
This site uses cookies to ensure you get the best experience. More info...
Got it!