A Quote by Whit Stillman
I really like the short stories that Melissa Bank writes. I think she's sort of channeling the female version of J.D. Salinger in more recent days.
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I think a lot of ["Cosmopolitans"] is marked by [Jerome David] Salinger. Salinger wouldn't allow his works to be adapted for film after his experience with "Uncle Wiggly in Connecticut," and I think that's great for us because then we have to do our own Salinger stories.
I'm totally into Taylor Swift. I think she has super-clever lyrics, and I love that she writes her own music. Some of the themes she writes about are stuff I wish was there for me when I was in high school, and I'm so happy she really cares about her female fans. She's not catering to a male audience and is writing music for other girls.
...what I love about Ann Coulter is that she's sort of the-she's sort of a version of myself in that she absolutely never pulls a punch. Even when she's saying something that I think is outrageous, it's what she really believes and she doesn't back off of it. And that is what I find so refreshing and, unfortunately, so unique. I can't name five other people who do that, who don't calculate before they speak.
What was really great with Eleanor Roosevelt - I mean, of course, we all have this stereotypical, really satirical almost, version of how she speaks. What was really interesting to me was I found various radio and TV appearances of hers, but there was one talk show that I saw her on; she was the only woman, it was all men. They were talking about policy - I think it was after she was First Lady. I think it was more in the U.N. days.
Alice Munro is a particular kind of short story writer in that she writes long, character-driven short stories.
What I really would like to see is more female stories out there. Particularly older female stories, because women are predominantly ticket-buyers.
I think people always have - not just journalists who help their careers, I think all people struggle with this idea that a female pop artist can write all her songs. Even I do it sometimes, you see a really good female pop artist and you're like, 'I wonder if she writes her songs.' That's never really my first initial reaction to a male popstar.
If a writer writes poems and short stories and novels, but nobody ever reads them, is she really a writer?
A work of art is something produced by a person, but is not that person — it is of her, but is not her. It’s a reach, really — the artist is trying to inhabit, temporarily, a more compact, distilled, efficient, wittier, more true-seeing, precise version of herself — one that she can’t replicate in so-called ‘real’ life, no matter how hard she tries. That’s why she writes: to try and briefly be more than she truly is.
I like fiction that deals with matters that are of burning importance to us in our private lives. And not all short stories are like that. In general, short stories - and maybe this is a little bit off-topic - but I think short stories have this bad association with, like, waiting rooms.
I just like good stories. I like really interesting scripts, I love really great filmmakers. And I'm open to all genres and all stories. But, there's certain ones that attract me, and I don't really sort of look at what I think is going to be successful, I look at more so, you know, is this what I want to do regardless of what everybody else thinks?
No one writes a story like Lydia Davis. In the years since she began publishing her lyrical, extremely short fiction, she has quietly become one of the most impactful influences on American writers, even if they don't know it. That's largely because she makes economy seem so easy. You could read several of her stories into a friend's voicemail box before you were cut off (and you should). You could fit one of her stories in this column. Some you could write on your palm.
I would like to see more female stories out there, particularly older female stories.
I'm one of those writers who started off writing novels and came to writing short stories later, partly because I didn't have the right ideas, partly because I think that short stories are more difficult. I think learning to write short stories also made me attracted toward a paring down of the novel form.
Origin stories are really important to me. I just like that sort of stuff and I feel like it makes a lot of sense to the guys, who they are. If you don't have that stuff, it's kind of a one dimensional version of it.
I've always loved short stories. Even before I was a writer, I was reading short stories - there were certain writers where I just felt like they could do in a short story what so many writers needed a whole novel to do, and that was really inspiring to me.
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