A Quote by Whit Stillman

I kind of put people from the past up on a pedestal; I don't think, in a lot of ways, that we're at their level. — © Whit Stillman
I kind of put people from the past up on a pedestal; I don't think, in a lot of ways, that we're at their level.
The key to success in any kind of start up is your level of persistence. It's not so much your intellect. The Zuckerburg's, Pages and Brins, that succeed have such a level of belief in what they are doing that they will put up with the kind of crap that most people won't put up with, they are incredibly persistent and resilient.
We come from that school where we don't believe we're different from you, and it's insulting to me on some kind of weird level that musicians are put on a pedestal.
A lot of people put all that stuff on a pedestal, and they won't touch it. But I don't think that's the reason they did that. I think they played that stuff out of pure joy.
I don't think any player lives up to his potential, because people out there put you so high on a pedestal, you'll never be as good as they expect.
I think celebrities are kind of put up on a pedestal and we don't really know much about them. I feel like my fans know every part of me because I've shown them.
I moved out to Los Angeles a fan of many people, and meeting people I put on a pedestal that just disappointed me. Without fans, this business would not exist, so I try and say that we're all on the same level.
Being a down-to-earth type of individual, I feel like I can connect with people on a different level, versus the GOD-like pedestal that people tend to put us on.
I really prefer to be kind of anonymous. Because when people know your whole history, they have a tendency to relate to you differently and maybe put you up on a pedestal. I want people to just be normal with me. I just want to live my life.
I think George R. R. Martin made fantasy grow up. He brought a level of reality into the storytelling where you realize the good guys don't always win and anyone can die, because that's how life works. Bringing that level of reality into the story I think forced the genre to mature in a lot of ways that it hadn't prior.
I don't put Jardine on a pedestal or worry about any kind of step-up. He's just another fighter standing in the way of me achieving my goal.
As far as piano players are concerned, Oscar Peterson is my very favorite. I also like McCoy Tyner. I think that the big jazz stars, both now and in the past...how shall I say it? These guys are as great as Bach, Beethoven; all of them. People don't know it yet. If jazz survives and is put on a pedestal as an art form, the same as classical music has been through the years, a hundred years from now the kids will know who they were, with that kind of respect.
I think in some ways it would make more sense to have as a poverty level a relative concept and say, the level of poverty is that level of income or that level of consumption below which 10 percent of the people now are.
I think the dictator director is based upon stories from the past. I don't think anyone would put up with it now. There are a lot of people on a film set with egos. So, to be completely authoritarian, you'd probably have to have a reputation like Kurosowa or somebody to get away with it.
It's still a mystery to me, but even though my mother was like an older sister to me, I kind of put her up on a pedestal.
There was this kind of wackiness that was really embraced and put on a pedestal. It was before the millennium. We were envisioning a future that was mostly idealistic. I think that came crashing down a little bit in 9/11, or a lot. There is something about Portland that does seem to still exist in this total idealistic world and total idealistic mind frame, and I think that's what Dream of the '90s is talking about.
I'm not a righteous man. People put me up on a pedestal that I don't belong in my personal life. And they think that I'm better than I am. I'm not the good man that people think I am. Newspapers and magazines and television have made me out to be a saint. I'm not. I'm not a Mother Teresa. And I feel that very much.
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